Papa Levi chapter one
“Yeah… In smoking sensimiella you gotta give thanks and praise unto the almighty Lord God Jehovia… do it Jah… MURDER!”
Maxi Priest and Paul “Barry Boom” Robinson produced Philip Levi’s “Mi God Mi King”; the first vinyl outing for a member of the troupe of Saxon MCs (more about them soon).
The tune originally came out on a Bad Breed 7″ in 1984 and stormed up the reggae charts, hitting the number one spot in February. The reason for its success was that it was the first bit of vinyl to capture the “fast chat” style which had dominated Saxon and other soundsystems for the previous year, if not longer.
“…Mi God, Mi King
Him name Jah-ov-yah
Him inspire me to be a mike chatter
Mi mass wid di mike, round the amplifier
Mi fling way di slackness, cause now a culture
The conscious lyrics yuh a go hear me utter…
So if you are an adult or a teenager,
Seh every day you wake up you’ve read a chapter…”
UK Soundsystems of the time looked to JA for inspiration and Ranking Joe’s rapid fire delivery on yard tapes had caught on big time. But the Saxon MCs twisted the style to suit local conditions, so Levi’s debut combines righteousness and ganja smoking with couplets such as:
“…Sweetest singer a Sugar Minott
Maddest comedian is Kenny Everett
Jackal a turn in a vampire bat
But when he see sun he can’t take that…”
It’s this localism, combined with skillful delivery and wicked reworkings of old riddims (”Heavenless” in this case) which set the pace for UK deejay records for the next few years, and indeed to this day.
When the Bad Breed pressing sold out, the tune was repressed on Level Vibes as a 12″. In fact this was a Maxi Priest/ Papa Levi double header, with Maxi taking the first cut on each side, Levi following with a deejay version and then the dub finishing up.
I can’t begin to describe how well all this works – Maxi’s “Sensi” is one of the best UK roots tunes I’ve heard with its proper raw production (cruelly polished up on his 1st LP) – following it with “Mi God Mi King” doubles the impact - Levi’s ability to cram more words into a line mean that it actually feels like the riddim is pitched up. It isn’t. His break-out into double speed vocals half way through the track provide the kind of intensity also seen in jungle with its beats going twice the speed of the bassline.
“…Living in babylon as a black man
Well all me face is racialism
When me weak they say that me strong
When me right they say that me wrong…”
The flipside of the 12″, with Maxi’s “Love in the Ghetto” coupled with Levi’s “Mi Deh Ina Mi Yard” is perhaps even better. Maxi haunting vocals making an appearance in the background of Levi’s ominous chat about the Brixton riots…
Veteran reggae journalist Penny Reel remembers the demand for the song at the time meaning that all the available record presses in London were running full pelt, 24 hours a day to satisfy demand.
Indeed “Mi God Mi King” was so successful that it was snapped up by Sly & Robbie in JA, who released it on their own Taxi label. Levi then made history once again when the tune became the first by a UK deejay to reach number one in the JA charts. Imagine the feelings of elation that must have unleashed in the reggae community in the UK and London, who had looked to Jamaica for inspiration since the very beginning…
“…True me no check for politician
No care who win the election
Pon the mike me please everyone
Flashing down style and fashion”
Chapter Two: Papa Levi - onwards and upwards…
lex:
What a tune. There is a pirate station, think it’s Mystic, that is playing this a lot at the moment. One of their DJs love it so much, he trots out all the above facts each time he spins it. Plus one other, which is that it was the first track on Taxi not produced by the rhythm twins. Not sure if that’s true or not, but it makes sense. Wasn’t it also the first UK tune by any kind of artist to make No.1 in JA, not just DJ tune? Again I am just parroting the man on Mystic, haven’t a clue myself.
20 July 2005, 2:32 pmjohn:
Yes indeed - first UK tune, regardless of singer/DJ/whatever to make it to number one in JA… it is a classic, but is fairly underexposed, despite appearing on the odd comp (I think Ian Brown’s “At home with…” had it on or whatever it’s called.)
20 July 2005, 4:07 pmmartin:
It’s also on last year’s “DBC - Rebel Radio” 2xCD comp on Trojan
20 July 2005, 4:22 pmChris:
Back in 84-86 there was a college radio station (WFIT) on which two Jamaican students DJ’d every Sunday afternoon. I was obsessed with Jamaican and UK sounds so I recorded the broadcasts religiously. It was during one of these broadcasts that I first heard Mi God Mi King and I can still remember how excited I got as I listened in awe. When the song ended I remember thinking “God I hope this crappy little tape deck recorded that song!”. I still rock that song to this day!
18 August 2005, 11:20 pmHans:
One of my all time favorites. Unfortunately, probably because I am Dutch, I only understand about half of the lyrics. Does anyone have the full lyrics?
26 August 2005, 9:14 amDubz:
It wasn’t exactly the 1st bit of vinyl with fast-style, that was a lyric by Tippa Irie, his partner on Saxon with “it ah de time de lyric ah rhyme” on the UK 1st ever live DJ albums in 1983.
24 November 2005, 10:19 amLevi was on the albums too with Peter King the fast-style originator though neither of them chat their fast-style on the albums.
Another Saxon DJ called Daddy Colonel had the fastest lyrics and with his roll-tongue technique of delivery he has the hardest lyrics to understand - even today!!
Daddy Chris:
I will never forget when this song came out, I was in B’ham at the time it had set the nite clubs, blues dance’s a fire wicked tune. This tune is one of the greatest tune’s ever out of England. Now whatever happen to the Levi mi no hear nutting from the brother in a while. Anyway brother wherever you are JAH bless. If your ever in New York area please perform at S.O.B.B’s,,,,Nuff Love Daddy Chris.
21 January 2006, 6:38 amMarvelous:
Yes Daddy Chris Levi has done shows in New York Wid Jah Bud (hat happened to him) Shine Head Pretty boy Sister Sonny (saw her end of last year) Kiety Dread ,Treco. and others from uk..If New youk wants Levi Just shout..we got direct access..to the mystic known as “Pappa Levi”. Its just great to get into a resoning with Levi..the man is deep as the river..and got so much to say..no wonder he needed the fast style as i say hes still in studio..ye need to press prompters to release the tunes looks like a stand off is going on . I know if ye get a chance to catch the Mad proffessor on tour youll get to hear up to date tracks from papa levi..Levi aint lost a thing if ye ask me hes even hotter now…dont take my wod for it check http://www.ariwa.com get proffessor to release them BIG tunes hes got with Papa Levi..
25 February 2006, 8:13 pm.
dancehallmusic.de » Blog Archive » Rewind II:
[...] Schneller chatten mit Saxon — Lebhafter vortragen mit Jeremy Harding — Stilvoller clashen mit Roddy und Tony Die Deejays des britischen Saxon Sound, in den 80er und 90er Jahren das Aushängeschild der Soundsystems von der Insel und wohl bis heute ihr prominentester Vertreter, hatten einen Einfluss auf den Deejay-Stil insgesamt, der schwer festzunageln, aber vielleicht ebenso schwer zu unterschätzen ist. Papa Levi, Tippa Irie, Daddy Colonel und die weiteren kaum zu zählenden Artists im Saxon-Umfeld gehörten in den frühen und mittleren 80er Jahren zu den Deejays, welche die Toasting-Temposchraube gewaltig anzogen - ein Stil, der als “Fast Chat” bekannt werden sollte. Papa Levi, Anführer der DJ-Brigade, schaffte es im Jahr 1984 als erster und bis heute einziger britischer Artist mit seiner Single “Mi God Mi King” Platz 1 der jamaikanischen Charts zu erobern. Einen Einblick in seine Geschichte als Artist geben drei Posts beim Blog uncarved.org (Links: 1, 2, 3), deren Lektüre allen Interessierten ans Herz gelegt sei. — Im Herbst findet in Melbourne, Australien die nächste Ausgabe der Red Bull Music Academy statt, für die sich Nachwuchs-DJs und -Produzenten bis zum 3. 6. bewerben können (Infos auf der Homepage). Unter den zahlreichen Dozenten wird hoffentlich / wahrscheinlich auch wieder der eine oder andere aus der Reggae-Szene sein, wie das in der Vergangenheit mit etwa Jeremy Harding, David Rodigan oder Clive Chin bereits der Fall war. Protokolle der jeweiligen Interviews, teilweise auch als Video, finden sich ebenfalls auf der Homepage und sind ausdrücklich empfohlen. Ein Zitat aus dem Interview mit Top-Producer Jeremy Harding: “I remember once I walked into a session with Michael Rose from Black Uhuru, this is a Sly and Robbie session. So, of course Michael Rose, Sly and Robbie - Reggae Grammy winners - legends. I’m going to see how it works. Walk into the studio, but you can’t see anything, it’s full of weed smoke, so it’s like this (mimics spliff rolling) with all these Rastas lined up on the wall rolling weed. The whole place is like that. The engineer is there, he has a TV monitor and he’s watching like ‘Raiders Of The Lost Ark’ or something like that. Casually, this tape machine beside him. Then Robbie says: “Ready?” Press record. Watch TV. Then Robbie’s like: “Yo, hold on, stop, let me take out my gun. (mimics removing gun from waistline and putting it on table). Alright, ready again.” He press the thing, and Robbie’s like this (mimics bassline), plays this thing. Links zu den Interviews: Jeremy Harding (incl. Video, 3 Teile) Steely & Clevie (nur Video, 3 Teile) Clive Chin (2 Teile, auch Video) David Rodigan (2 Teile) Dennis Bovell (3 Teile, auch Video) — Und dann wäre da noch, am Samstag in New York, einer am gespanntesten erwarteten Clashes der letzten Zeit: David Rodigan gegen Downbeat The Ruler, New York gegen London, Veteran gegen Veteran, nicht unironisch betitelt als “the most decent Clash on Earth”. Seit etwa anderthalb Jahren im Gespräch, einmal bereits fix und dann doch wieder gecancelt, werden sich die beiden nun gegenüber stehen; nicht zum ersten Mal in einem gemeinsamen Clash, aber zum ersten Mal One on One. Im Vorfeld wird bereits wild spekuliert, mit welchen Gimmicks Rodigan überraschen kann (unter 5 Custommades von Bitty McLean macht er’s gewiss nicht!) und wie tief Tony Screw in seine wohl unvergleichbare Foundation-Kiste greifen wird. Rein musikalisch dürfte Rodigan kaum an Downbeat heranreichen, aber dass er immer für Überraschungen gut ist durfte zuletzt auf Bermuda auch Tony Matterhorn erfahren. Zu hoffen bleibt, dass der Clash im Gegensatz zu manch Anderem der letzten Zeit die in ihn gesetzten Erwartungen erfüllen kann. [...]
14 April 2006, 1:35 pmMighty:
I grew up in Montreal and remember picking up an album called Great British MCs. The album kicked off with Smiley Culture’s Slam Bam which blew me away. However, once I heard Papa Levi pon de version, I was down for the count. Some of the greatest lyrics I’ver heard. “You could be a woman or even a man, there’s too much MC inna Inglan. Think with me head, write with me hand, together ya call it origination”. DO IT JAH!
6 July 2006, 2:00 pmuncarved.org blog » Blog Archive » Papa Levi chapter 3:
[...] Previously: Chapter 1 / Chapter 2Â [...]
14 July 2006, 12:36 pmStarby:
What a tune. my mate was working in Brixton at the time and on his lunch break, popped into one of the local record shops.e came out with Mi God Mi King on the 12′ Level Vibes lable (which also included Maxi Priest “Sensi” and In a Mi Yard by Levi.,At the same time bought Gimme Gimme Lovin By Natural Touch. Still playing both to this day. Two very different tunes but both fantastic in thier own right.Typified the great things that were happening in British reggae at the time. What a time to be around. The 70s and 80s will always be the best time in reggae for me.
15 August 2006, 5:53 pmKC aka The King Original:
The absolute “King ina de ring” what can you say about this MC. Had the pleasure of taking him in during the early 80’s even stood on the stage and watched him do his “ting” when he performed with Tippa (Bilston rising star, 1984) Awesome “me a tell yu”!. I still play this mans cassette tapes and cant think of any other tape that dealth such a blow to another as when he hurt Lesley lyrics “ouch”!. Levi was by far the best of all the Mc’s and everyone of them was good so that shows how good he was. I always felt that this great artist would go on and mash up the scene this didnt seem to happen and it would be interesting to find out why? Nevertheless, those of us who had the chance to hear the King dun no seh once a “King always a King”. Papa Levi entertained many of us during those early years and I,m not sure if it has really been acknowleged how instrumental this brothers lyrics inspired I an I. To be fair nuff respect to all MC’s as all had a message and gave good vibes to. I could write about this MC all day and night but you know what? I still would’nt do him justice. So finally, Just a big thank you Levi because I an I the people who you performed to really appreciated what you gave us!
Blessed Love Rastafari Liveth. KC aka The King Original
15 August 2006, 8:43 pmtony squires:
It’s dracula turn ina vampire bat, not jackal
17 August 2006, 2:16 pmCALVIN:
TO ALL YOU PAPA LEVI FANS OUT THERE,IF YOU REALLY WNT TO KNOW WHAT HE IS DOING OR CONTACT HIM CALL ME ON 07740 992492…………………FI REAL!!!!!!
1 September 2006, 8:31 pmuncarved.org blog » Blog Archive » BASH#7:
[...] Papa Levi - Mi God Mi King [...]
3 September 2006, 10:02 pmRoddimatic:
Check out Youtube.com, for a wicked clip of Papa levi and the Saxon Crew, live and Direct Circa around 1985 on a BBC documentary. It’s short but sweeet.
16 October 2006, 5:17 amRoddi
Peter Ryan:
Excellent history of the time, but one point needs correction. The couplet should read
…Dracula turn in a vampire bat…
not
…Jackal a turn in vampire bat.
In Jamaican English, the consonants /dr/ before a vowel are frequently pronounced like a /j/. Dracula is therefore pronounced ‘Jacula’, hence your confusion.
15 November 2006, 8:57 pmskabuoy:
I have just recently purchased a white label 12” with Mi God Mi King on one side, and Love In The Ghetto on the other.
9 December 2006, 4:27 amboth are then followed by a toaster version, and after that a dub version.
but nothing about that is in the story above.
does anybody know anything more about this disc?
skabuoy:
Silly me… After listening to the disc a little better, and re-reading the top bit, I must have a white label version of the Level Vibes 12″
So I now have the tracklisting down to :
A1 - Maxi Priest : Sensi
A2 - Papa Levi : Mi God Mi King
A3 - ???
B1 - Maxi Priest : Love In The Ghetto
B2 - Papa Levi : Mi Deh Ina Mi Yard
B3 - ???
can anybody help me out with performers and titles of the dub versions?
18 December 2006, 1:08 amjohn:
dunno what the versions are called - possibly just “version”!
18 December 2006, 8:12 pmuncarved.org blog » Blog Archive » Plan B magazine:
[...] The Papa Levi Story, Parts One, Two and Three - John Eden looks back at the vinyl releases of this seminal cockney chat MC. [...]
2 January 2007, 6:06 pmuncarved.org blog » Blog Archive » What the deejay said:
[...] “B-side” of the book in which Lez tells his own story - and those of deejays such as Papa Levi, Asher Senator, Tippa Irie, Champion and many others who are all quoted liberally throughout the [...]
21 March 2007, 5:35 pmTft:
Still Hot!!! This opened up a lot of us the vibrant UK Roots Chanta tao.
Tft.
17 May 2007, 2:20 amhttp://www.myspace.com/daggakarab
christian:
does anyone know where i can get any saxon on cd.
26 May 2008, 12:03 pmchristian:
can anyone still get sensi,still waiting 4 saxon cd’s
26 May 2008, 12:05 pmjohn:
Yeah sure - check this out:
26 May 2008, 12:34 pmhttp://www.amazon.co.uk/Coughing-Up-Fire-Studio-International/dp/B00009EPXY/ref=sr_1_1?ie=UTF8&s=music&qid=1211801613&sr=8-1
christian:
erppe just clocked someones/ blog/lyrics about growing up black/racism. what about the gingers
7 June 2008, 10:43 pmNed Claasen:
I recorded this song off of a Baltimore, MD radio station about 20-30 years ago and the recording wasn’t top notch. I didn’t know thw artist or the song’s name- just that it was good. Thanks to this site I just downloaded a nice clear version of it all these years later. Thanks
10 October 2008, 10:58 pm