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	<title>Comments on: Rave Futures</title>
	<atom:link href="http://www.uncarved.org/blog/2008/01/rave-futures/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.uncarved.org/blog/2008/01/rave-futures/</link>
	<description>John Eden: BM Box 3641, London, WC1N 3XX, England UK</description>
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		<title>By: The Bass is Back in Town &#124; Cardiff Arts Institute</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-4491</link>
		<dc:creator>The Bass is Back in Town &#124; Cardiff Arts Institute</dc:creator>
		<pubDate>Tue, 27 Apr 2010 17:10:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-4491</guid>
		<description>[...] qualify me as the 2nd wave of old skool or something! God knows, ask someone who cares about the hardcore continuum [...]</description>
		<content:encoded><![CDATA[<p>[...] qualify me as the 2nd wave of old skool or something! God knows, ask someone who cares about the hardcore continuum [...]</p>
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		<title>By: paul "Essex boy" meme</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2297</link>
		<dc:creator>paul "Essex boy" meme</dc:creator>
		<pubDate>Wed, 23 Jan 2008 13:14:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2297</guid>
		<description>Loki - there are plenty of girls at dubstep raves.</description>
		<content:encoded><![CDATA[<p>Loki &#8211; there are plenty of girls at dubstep raves.</p>
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		<title>By: Eric K</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2288</link>
		<dc:creator>Eric K</dc:creator>
		<pubDate>Sat, 19 Jan 2008 17:44:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2288</guid>
		<description>Spot on post. Simple as.</description>
		<content:encoded><![CDATA[<p>Spot on post. Simple as.</p>
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		<title>By: Dan</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2284</link>
		<dc:creator>Dan</dc:creator>
		<pubDate>Sat, 19 Jan 2008 03:24:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2284</guid>
		<description>spot on, john. the whole idea of the continuum has been way over-stretched.</description>
		<content:encoded><![CDATA[<p>spot on, john. the whole idea of the continuum has been way over-stretched.</p>
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		<title>By: Loki</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2281</link>
		<dc:creator>Loki</dc:creator>
		<pubDate>Fri, 18 Jan 2008 13:49:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2281</guid>
		<description>Funny how these things go in waves... most of the bloggers at some point get sucked into theorising about the &#039;death of rave&#039; , the electro-droid-toss streaming down the penines etc(we miss College, those who aren&#039;t still at College in some form anyhow) ... for my mind, I never &#039;got&#039; dubstep for purely aesthetic reasons -no girls at the clubnights, too much head nodding, too many hoods, not enough bright colours (still think there&#039;s a touch of the emperor&#039;s new clothes about it) -  and now I&#039;m heading towards silly electro-disco nights and old school raves (skool? I never know...) - places where any semblence of cool (or even relevance) seems to have been inverted or sent packing and replaced with dayglo girls (and boys) with funny bits of coloured wool in their hair or trousers that look like exotic types of pepper, meant for roasting... (not even sure if you can use &lt;em&gt;that&lt;/em&gt; term with impunity these days... the language is moving faster than i can blink...)

So, in summary, I agree.</description>
		<content:encoded><![CDATA[<p>Funny how these things go in waves&#8230; most of the bloggers at some point get sucked into theorising about the &#8216;death of rave&#8217; , the electro-droid-toss streaming down the penines etc(we miss College, those who aren&#8217;t still at College in some form anyhow) &#8230; for my mind, I never &#8216;got&#8217; dubstep for purely aesthetic reasons -no girls at the clubnights, too much head nodding, too many hoods, not enough bright colours (still think there&#8217;s a touch of the emperor&#8217;s new clothes about it) &#8211;  and now I&#8217;m heading towards silly electro-disco nights and old school raves (skool? I never know&#8230;) &#8211; places where any semblence of cool (or even relevance) seems to have been inverted or sent packing and replaced with dayglo girls (and boys) with funny bits of coloured wool in their hair or trousers that look like exotic types of pepper, meant for roasting&#8230; (not even sure if you can use <em>that</em> term with impunity these days&#8230; the language is moving faster than i can blink&#8230;)</p>
<p>So, in summary, I agree.</p>
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		<title>By: paul autonomic</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2277</link>
		<dc:creator>paul autonomic</dc:creator>
		<pubDate>Thu, 17 Jan 2008 21:21:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2277</guid>
		<description>I don&#039;t think it even held up for that long, if only because there was no accounting for all the other continua or whatever(disco, ska, dub, dancehall, hip hop, funk, soul, US techno, European techno, etc...........) that are obviously in play or the multitude of things they&#039;ve spawned.  Not to mention its Anglocentric tunnel vision, as if you could trace some hermetic path that had nothing to do with the the Americas, South &amp; East Asia or Europe, or even most parts of the UK.  And the fact that its always about what a few select dudes say is &#039;the thing&#039; at a given moment.  A female version would look totally different.  

Anyway, I never had the stomach to have a real go at it beyond the odd swipe, so nice one John. I&#039;m sure I belong to the over-analyzers camp but I&#039;ll be happy if I don&#039;t hear the word again, at least not as an excuse for whingeing about the end of music or its 11th-hour resurrection.</description>
		<content:encoded><![CDATA[<p>I don&#8217;t think it even held up for that long, if only because there was no accounting for all the other continua or whatever(disco, ska, dub, dancehall, hip hop, funk, soul, US techno, European techno, etc&#8230;&#8230;&#8230;..) that are obviously in play or the multitude of things they&#8217;ve spawned.  Not to mention its Anglocentric tunnel vision, as if you could trace some hermetic path that had nothing to do with the the Americas, South &amp; East Asia or Europe, or even most parts of the UK.  And the fact that its always about what a few select dudes say is &#8216;the thing&#8217; at a given moment.  A female version would look totally different.  </p>
<p>Anyway, I never had the stomach to have a real go at it beyond the odd swipe, so nice one John. I&#8217;m sure I belong to the over-analyzers camp but I&#8217;ll be happy if I don&#8217;t hear the word again, at least not as an excuse for whingeing about the end of music or its 11th-hour resurrection.</p>
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		<title>By: mms</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2271</link>
		<dc:creator>mms</dc:creator>
		<pubDate>Sun, 13 Jan 2008 14:31:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2271</guid>
		<description>i guess i mean to fit into the criteria and actually be considered worthy of attention it&#039;s never received until now, it has to be liked by people who might have liked stuff that the hardcore continnum was about if they had been old enough to go into clubs, which is just dumb.</description>
		<content:encoded><![CDATA[<p>i guess i mean to fit into the criteria and actually be considered worthy of attention it&#8217;s never received until now, it has to be liked by people who might have liked stuff that the hardcore continnum was about if they had been old enough to go into clubs, which is just dumb.</p>
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		<title>By: mms</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2270</link>
		<dc:creator>mms</dc:creator>
		<pubDate>Sun, 13 Jan 2008 14:13:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2270</guid>
		<description>the hardcore continnum idea might have made sense for a specific part of the country and for some people about 12 years or so ago but nowdays it hardly stands as a theory, its based on cherry picking evidence nowdays and was designed by a guy who has lived in the states for a long time now, its all a bit who cares, why not check a night out or some records/mix cds.
As for funky house, it&#039;s been around for fucking years, it&#039;s pretty staple, i think it was originally quite west london etc, a part of london that&#039;s not really featured in the hardcore continnum, plus its quite dull and dressed up on the whole, i don&#039;t see how its really possible to fit it into some kind of theory of hardcore development, that&#039;s just bullshit really, its as if no one has watched telly or gone to any clubs in the last 10 years where this stuff is staple and the ads are on the telly for the big mix albums. It seems people are surprised that  there are regional variations and different audiences with house music as if that is some cause for scrutiny, or it&#039;s something new!</description>
		<content:encoded><![CDATA[<p>the hardcore continnum idea might have made sense for a specific part of the country and for some people about 12 years or so ago but nowdays it hardly stands as a theory, its based on cherry picking evidence nowdays and was designed by a guy who has lived in the states for a long time now, its all a bit who cares, why not check a night out or some records/mix cds.<br />
As for funky house, it&#8217;s been around for fucking years, it&#8217;s pretty staple, i think it was originally quite west london etc, a part of london that&#8217;s not really featured in the hardcore continnum, plus its quite dull and dressed up on the whole, i don&#8217;t see how its really possible to fit it into some kind of theory of hardcore development, that&#8217;s just bullshit really, its as if no one has watched telly or gone to any clubs in the last 10 years where this stuff is staple and the ads are on the telly for the big mix albums. It seems people are surprised that  there are regional variations and different audiences with house music as if that is some cause for scrutiny, or it&#8217;s something new!</p>
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		<title>By: Gutter</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2268</link>
		<dc:creator>Gutter</dc:creator>
		<pubDate>Sat, 12 Jan 2008 18:42:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2268</guid>
		<description>You tell &#039;em, John, and give those fuckers a kick in the balls from me while you&#039;re at it!</description>
		<content:encoded><![CDATA[<p>You tell &#8216;em, John, and give those fuckers a kick in the balls from me while you&#8217;re at it!</p>
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		<title>By: tom</title>
		<link>http://www.uncarved.org/blog/2008/01/rave-futures/comment-page-1/#comment-2266</link>
		<dc:creator>tom</dc:creator>
		<pubDate>Sat, 12 Jan 2008 04:06:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.uncarved.org/blog/?p=1168#comment-2266</guid>
		<description>&lt;I&gt;This cap only fits if you ignore the evidence, which is easy to do if you stopped listening to Grime two years ago because you were looking for the next big thing.&lt;/i&gt;

Man went deeper!

It&#039;s true though, what you and Alex are saying. It feels like some make their judgements on the music based on how they want it to fit into the higher theory, ignoring what’s actually there. 

There&#039;s plenty of sweet, poppy grime (hasn’t half the CRITICISM about it in the last couple of years been that it’s not grimey enough?), and there’s equally testosterone filled bassline (if you watch clips of the raves there’s plenty of blokey dance moves and girls giving gunfingers).</description>
		<content:encoded><![CDATA[<p><i>This cap only fits if you ignore the evidence, which is easy to do if you stopped listening to Grime two years ago because you were looking for the next big thing.</i></p>
<p>Man went deeper!</p>
<p>It&#8217;s true though, what you and Alex are saying. It feels like some make their judgements on the music based on how they want it to fit into the higher theory, ignoring what’s actually there. </p>
<p>There&#8217;s plenty of sweet, poppy grime (hasn’t half the CRITICISM about it in the last couple of years been that it’s not grimey enough?), and there’s equally testosterone filled bassline (if you watch clips of the raves there’s plenty of blokey dance moves and girls giving gunfingers).</p>
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