Would I be correct in assuming you are the same Peter Dalton who co-wrote the Rough Guide To Reggae?

If so – I owe you many and profuse thank yous

“What A Day”, Xterminator, 2002
Probably influenced by Buju Banton’s masterpiece “Untold Stories”, this acoustic
effort is pretty much its equal – her best lyric to date, and her most moving
vocal.
“No More Lies”, Xterminator, 1994
Eight years before the above title, “No More Lies” rode Philip ‘Fattis’ Burrell’s
cut of Aswad’s mighty “Promised Land”, another tune that showed the producer
wasn’t totally dependent on Luciacno and Sizzla for fine music.
“Handle The Ride”, Digital B, 1997
Bobby Digital employed an updating of “The Lecturer” riddim to support quite a few
of the hot singers and DJs of the time, including Cocoa Tea,Jahmali, Admiral Tibet,
Anthony B, Morgan Heritage and Sizzla. Tanya more than held her own as she
addresses in her typically assertive fashion the males who want to hide from
her because they can’t “handle the ride”.
“Yuh Nuh Ready Fi Dis Yet”, Mad House, 1996.
The “Joy Ride” riddim was another on which she faced a great deal of competition –
from Baby Cham, Frisco Kid, Buju Banton, Professor Nuts, Wayne Wonder and Lady Saw,
to name just a few on the original Dave Kely-produced cut. But it was probably
only Wayne Wonder’s “Bashment Girl” and Lady Saw’s “Sycamore Tree” that
seriouskly rivalled her version. In the same year New York’s Jah Life outfit
brought out their own versions, the best of which was Conroy Smith’s second
reading of his “Dangerous” lyric.
“Big Heavy Girl”, Shocking Vibes, 1997
Over a brutal updating of “Cuss Cuss”, Tanya more than lives up to the
title of this Shocking Vibes excursion. Among her boasts is that she’s “a CD and
you’re a cassette”.

have you heard the version of notorious on itunes – it’s really bright! really jumps out at you.

Respect XXXXXXXXXXXXXXX