{"id":607,"date":"2019-04-30T20:26:02","date_gmt":"2019-04-30T20:26:02","guid":{"rendered":"https:\/\/www.uncarved.org\/babylon\/?p=607"},"modified":"2019-04-30T20:26:10","modified_gmt":"2019-04-30T20:26:10","slug":"recent-babylon-press-features-instagram","status":"publish","type":"post","link":"https:\/\/www.uncarved.org\/babylon\/archives\/607","title":{"rendered":"Recent Babylon press features + instagram!"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"598\" height=\"592\" src=\"https:\/\/www.uncarved.org\/babylon\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-30-at-21.21.31.png\" alt=\"\" class=\"wp-image-608\" srcset=\"https:\/\/www.uncarved.org\/babylon\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-30-at-21.21.31.png 598w, https:\/\/www.uncarved.org\/babylon\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-30-at-21.21.31-300x297.png 300w, https:\/\/www.uncarved.org\/babylon\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-30-at-21.21.31-303x300.png 303w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/figure>\n\n\n\n<p>The US premiere of the film has generated a bit of a buzz. Here are some good links I have picked up on amongst the less interesting regurgitation of press releases:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.newyorker.com\/culture\/cultural-comment\/what-babylon-captured-about-racism-and-reggae\">What Babylon captured about racism and reggae<\/a>  &#8211; Hua Hsu, <em>The New Yorker<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/www.nytimes.com\/2019\/03\/07\/movies\/babylon-review.html\">A Clear View of Black Londoners When Few Films Saw Them<\/a> &#8211; Wesley Morris, <em>New York Times<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/afropunk.com\/2019\/03\/babylon-1980-uk-film\/\">Still Babylon: Why A Cult 1980 UK Film Remains Relevant<\/a> &#8211; Grace Shutti &#8211; <em>Afropunk<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/www.rollingstone.com\/movies\/movie-features\/babylon-controversial-cult-reggae-movie-returns-804272\/\">Babylon Rising: The Resurrection of a Controversial UK Reggae Movie<\/a> &#8211; David Fear, <em>Rolling Stone<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/www.eyeforfilm.co.uk\/feature\/2019-03-16-brinsley-forde-in-conversation-on-franco-rosso-the-journey-for-his-character-the-realism-for-the-cast-of-babylon-and-present-day-england-feature-story-by-anne-katrin-titze\">Your Senses Are There: Brinsley Forde on Franco Rosso, Babylon and present day England <\/a>(interview) &#8211; Anne-Katrin Titze, <em>Eye For Eye Film<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/www.eyeforfilm.co.uk\/feature\/2019-03-10-dennis-bovell-in-conversation-on-style-substance-and-scoring-for-the-characters-and-his-personal-connection-to-babylon-feature-story-by-anne-katrin-titze\">Music Legends: Dennis Bovell on style, substance and scoring Babylon<\/a> (interview) &#8211; Anne-Katrin Titze, <em>Eye For Eye Film<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/features\/babylon-franco-rosso-locations-london\">How south London has changed since 1980 classic Babylon <\/a>(on locations in the film) &#8211; Chris Lunn, <em>British Film Institute<\/em><\/p>\n\n\n\n<p>Babylon also has an instagram account now <a href=\"https:\/\/www.instagram.com\/babylonthemovie\/\">@babylonthemovie<\/a> (seems to feature some things from this site too&#8230;)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The US premiere of the film has generated a bit of a buzz. Here are some good links I have picked up on amongst the less interesting regurgitation of press releases: What Babylon captured about racism and reggae &#8211; Hua &hellip; <a href=\"https:\/\/www.uncarved.org\/babylon\/archives\/607\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press"],"_links":{"self":[{"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/posts\/607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/comments?post=607"}],"version-history":[{"count":1,"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/posts\/607\/revisions"}],"predecessor-version":[{"id":609,"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/posts\/607\/revisions\/609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/media\/608"}],"wp:attachment":[{"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/media?parent=607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/categories?post=607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uncarved.org\/babylon\/wp-json\/wp\/v2\/tags?post=607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}