Solution Sound 3rd April 2004 – Niceness/Worries in the Dance

Solution Sound 030404

The rest of the crew were out of town or otherwise engaged. I was fighting off a cold. That’s how I ended up on my own in Dalston at 10:30. The first one through the gate. The shame of it!

I had a nice chat with the guy on the door about recent sessions, setting up, etc while he waited for the rubber stamp. Turns out he used to do the sound at Labyrinth. You can’t underestimate the north London junglist/reggae crossover, people. Lineage!

The venue seemed to be some sort of community centre – the sound was upstairs in a big room with a low ceiling and yer traditional ex-warehouse pillars. VC’s “By His Deeds” was busting out of the speakers as I went in, much to the surprise of the bar crew.

A couple of other loners turned up soon after and could be largely be divided into two categories: The ones that stood on one side, nodding their heads, and the ones who fiddled nervously with their mobile phones or peered into the darkness of the session from the safety of the bar area.

Slowly slowly the session filled up. Slowly slowly the selector increased the pressure. Gobsmacking selection on the Tempo riddim early on – they weren’t holding back the quality tunes until the place filled up, that’s for sure!

There were about 30 of us there when he dropped some cuts of the Ngozi riddim – Bushman and some others niced up the place, but they were just a warm up for the arrival of the first MC of the night. When he came in over the version, the hair on my arms literally stood on end. Gobsmackingly good – it felt like a real privilege to hear this stuff in the right environment.

And so it continued – classic 70s roots with fantastic chatting over the dubs., 21st Century JA pres, quality UK roots. And I do mean quality – the variety is one of the reasons why Solution is my favourite sound – it’s not constant steppers like Shaka or University of Dub events. I was slightly gutted to find that the cuts I have of the Kennedy International Mr Bassie are by no means the best!

By midnight the room was nicely full – great atmosphere and you could still move. Good gender mix, people dancing… Burning Spear riddim selection (“Travelling”, etc). The Mad Professor tune which the Orb sampled for the “Blue Room” with the female vocal which goes “ow wow ooh wow ooh ah”. I lost track of time, skanking in my corner, nodding, smiling at people, lending my knackered lighter.

Losing track of time is the best bit of a good roots session. You can forget who you are, and I don’t get that from anything else any more. It’s a cliché, all that stuff about forgetting your troubles, but it’s true.

Unfortunately the MC brought me back to earth with a bump. “Fire! Fire! Fire fi de battyman! Fire! Fire! Fire fi de lesbian!”

One isolated comment in the middle of a brilliant session. But it brought me round. I’d thought about leaving at midnight but now I realised it was 2 o’clock. I’d lost myself in the music but now I was worrying about whether I could bring my mates to Solution sessions in the future. I’d been dancing, but now I was over-analysing the politics of reggae music and JA culture. And then I realised I was tired.

I was more annoyed by all this at the time, than being morally outraged at the homophobia. I could hear women on the other side of the hall shouting something…

Back down to earth, I just thought “fuck it” and went home.

[edited to say – Solution replied in the best way possible here]

something for the weekend

Look alive east London crew!

Solution Sound 030404

SATURDAY 3RD APRIL 2004

A night of Raw Roots Reggae with SOLUTION SOUND SYSTEM

@ 10-16 Ashwin St, Dalston, Hackney, London E8

Entrance: £6.50
10pm to 4:30am (later if the crowds nice…and it usually is!)

This will be an upful night of Roots Reggae with a mixed selection of new release music and classic oldies – Plus MC’s, singers and players live on the Sound System – Not to be missed.

Difficult Fun launch

SUNDAY 4TH APRIL 2004

Launch party for the new record label, DIFFICULT FUN

@ The Eye, 79-81 High Street, Stoke Newington N16 8EL

The 4 bands on the first 7″ are all playing

Anti-Family
Philosophy Queen
Asja Auf Capri
Heliogabalus

Entrance: £2
8pm

Check http://www.difficultfun.org for more info, manifestos, downloads etc.

See you there?

amharic

Amharic

v/a – Amharic (Greensleeves Riddim #46)

Obviously this has been out for approximately a million years on JA pre 7″ and indeed for 6 months in this form. It ain’t my fault people kept on getting the copy out of the library, ok?

But it’s great – a rare beast of a one-riddim LP you can actually listen to without going mad at the repetition of it all, or needing to savagely mix it all up. The basic riddim kicks off with some Arabic acapella and then springs into a downtempo ragga skanker. Several of the cuts have some nice subtle variations. Riddim science – makes all the difference! The producer is Jammy “Jam 2” James, ably assisted by Lloyd “John John” James on the mix. Their dad, (the one, the only) King Jammy, was obviously doing something right when he brung ’em up.

Greensleeves have grabbed vocal cuts (no instrumental, which is a shame) from the usual mixture JA’s finest, with a few unknowns thrown in the mix for good measure.

Lyrically it’s business as usual – some nice twists and turns and within the dancehall spectrum there’s reasonable variety in terms of themes. The most common obssession this time seems to be designer labels. You wouldn’t think that fitted well with the title of the riddim – referring as it does to the language of Ethiopia, most famously used (in reggae at least) on the rasta anthem Satta Massa Gana by the Abyssinians (recently anthologised by Blood & Fire).

Things kick off with Vybz Cartel featuring Ward 21, which must have been a pretty packed session as there’s about five members in each group iirc. Nice lyrical twists:

“Rise up my berries
or rise up your berry
Shot them from primary
go straight to tertiary

Make them burberry
Catch a fire, like
Michael Jackson’s Curl jeri
In a de Pepsi Ad”

(The usual disclaimer with regards lyrics applies – I might well have misheard any or all of this…)

It goes on in the same way with Irv Gotti and R Kelly getting a mention – Vybz Cartel’s vocals are obscured under all sorts of effects, which makes unpicking them extra complicated (like a puzzle). Great stupid-fresh rhymes to bring a smile to your face on a rainy night.

Wayne Marshall then barges both crews out the studio and takes centre stage with We Roll. A tune about not fronting, as it probably isn’t called now by anybody under the age of 30: “Fake Jacob, fake Diesel, that’s not the way we roll. Pose off in friend’s vehicle – that’s not the way we roll”. There’s probably acres already written about defining “realness” in terms of conspicuous wealth. The list of hip brands here reminds me of walking through expensive shopping malls, and despite the fantastic melodies it’s ultimately just as alienating. I guess the primary JA fanbase of this record has little option but to go for “fake Diesel” anyway…

There are a couple of overtly roots tracks on the album, which provide a welcome breather. The first one is Peace by Sizzla. A bit of acoustic guitar heralds the best new Kalonji track I have heard for some time (not that I am up to speed or anything). A strange title given his usual compulsion to ‘burn fire’ on everything. The breakneck pace of the verses complements the poignant chorus:

“Love ’cause there is hope
And do not fight
I know you can work it out
We don’t want no war

So many lives go to waste
All those loved ones –
No-one can take their place”

The other rootical track is a combination from Anthony B and Courtney Melody. AB chats righteously and rhymes ganja with Rwanda. Courtney comes correct with a beautifully plaintive chorus “Progress… the things some people do for success.” Nice criticism of bling and Anthony B chimes in straight away with “For their fast car… they forget who they are”. So simple, but so true.

I worry about quoting these lyrics here sometimes. It’s not like lyrics can ever be some rigorous ultra-left text with footnotes or anything. Maybe they sound trite outside the context of the music, I dunno. I like them, which is enough for me.

Ward 21 win the prize for the best opening line: “Big Up Spongebob Squarepants!” and proceed to mumble on incomprehensibly about pineapples in a rather entertaining fashion. Jam2 ups the clickety clackety backing as well, which is nice, but the rest of the lyrics fall flat after the genius of the first few bars.

Daville is completely new to me. Lovely soulful voice on the geezer. The lyrics aren’t Shakespeare but the way he delivers them certainly are: “Party on ’til the break of dawn. Ain’t going to leave the lawn til the early morn.” (bear with me, ok?) “Tell me can you feel the viiiiiiiiiiiiiiiiibe” – the sustain somehow makes the rest of the tune sound a little overdriven, like a soundsystem pumped to the max.

It’s difficult to describe, but there’s something about this track which makes it my favourite. Maybe it’s because it seems so innocent compared to some of the other tracks here. (Like Spragga Benz & T.O.K.’s collaboration which essentially and repetitively deals with the fact that they “want pussy”.)

Other newbies to me are Taz & Chico, who do a nice gruff/trebly combination on Erica: “buy her a smirnoff… she a turn off… under mi Guinness… calories burn off…” “says she like me style she a nah go get turn off… put on me lubricant to keep the germ off”. Trebly guy (no idea if its Taz or Chico, but I am guessing the latter) gets the girl…

Honorable mentions:

Ce’cileAll Night – essentially a demand for a man who is up to the job.

Kid KurruptGrey And Old – purely for the line “she’s dancing calypso when she’s listening to rockers”. Signal!

Lady Saw is a Hot Gal Fi Life, with an eye on the competition.

Anyway, check out the soundsamples over at the Greensleeves site if interested.