Eshun and Goodman on The Long Tail virus

kodwo

Kodwo Eshun + Steve Goodman aka Kode9 (that isn’t a secret is it?) doing their “Beyond The Long Tail” presentation at Audio Poverty in Berlin.

I haven’t listened to this again, but I really enjoyed seeing it in the flesh. I’m not a fan of people reading prepared texts, especially overly theoretical ones, but I think Kodwo and Steve bring a poetic sensibility to it which gets across both the ideas and also a kind of style, I think – which leads to other ideas or leaps or whatever. It works.

Much more to come from AP soon!

Dave Kelly meets riddim culture in the courthouse

Ripley on a troubling recent development in JA music.. No, not autotune mania, but legal action against people re-versioning riddims.

Wayneandwax provides further detail in two further blogposts: here and here.

There have been rumours of this sort of thing happening before – back in July 2000, Coxsone Dodd was said to be considering legal action against some tunes being pressed at Dynamic which used classic Studio One riddims.

‘nuum warz

sidelines

kode9: the crossfire continues.

Linkage summary of recent coverage and criticism of Simon Reynold’s ‘ardkore continuum theory.

There’s something a little bit precious about the defenders of the ‘nuum. Aren’t we all supposed to be raging at each other and poking holes in ideas rather than defending them to the hilt?

I’ve been more keen on the critics of the theory than its upholders of late. It is more entertaining for starters. But also it seems to me that new theories, or new areas which are blissfully devoid of theory, will only emerge from critique.

I’ve never been a ‘nuum fundamentalist, seeing the theory simply as a useful way of referring to a particular chapter of UK soundsystem culture. So it quite clearly isn’t the case that I was part of any “collective pant-wetting about bassline house”.

I have a great deal of sympathy with people who are questioning whether the theory still applies in 2009 (or rather, is it still useful?). But my main objection is still to the use of the ‘nuum as a tool in an ongoing “oh grime? that’s soooooo last year dahling” campaign.

Of course, the ‘ardkore continuum is certainly an engaging way of looking at acid house -> ardkore -> jungle and onwards. I devoured Energy Flash when it came out and loved Reynolds’ pieces in The Wire.

As I said in my talk on blogging and fanzines at Audio Poverty recently, I would count Reynolds’ Blissblog as being a crucial influence on a particular corner of the internet which I am happy to inhabit to this day.

But, you know, all that is solid melts into air, all that is holy is profaned…

my 4th and 5th gigs

Click here for a complete list of entries in the series  “the first 23 gigs I can remember going to”.

vox

4) Ultravox, Wembley Arena 5/11/86

Barrel-scraping time. This was Ultravox well after their peak, touring an album (U-Vox) that even their die-hard fans regard as rubbish.

I had mixed feelings about going to the gig but said Ultravox fan was well up for it, obviously. And then was hospitalised with something very nasty shortly beforehand (I can’t remember what, but we went to visit him in an isolation ward).

So I ended up going on my own. I was walking down the street trying to get people to buy my spare ticket (which was near impossible as everyone had them already) and managed to walk into a bollard, crushing my balls mid-sentenc. People laughed. That was the way I rolled as an awkward teenager in the 80s on the mean streets of Wembley.

I eventually sold the ticket to a tout for about 6 and a half pence. The support band were Terraplane, who I remember thinking were shit. I was seated about as far back as it is possible to be in Wembley Arena – i.e. probably in a different postcode to the stage.

The ‘Vox did a passable set of old and (shudder) new material. I am sure Midge Ure was on form.

It was Guy Fawkes night and I was on my own at the back of a fucking aircraft hanger listening to stadium synth pop. I have never been back to Wembley Arena since that night.

nma

5) New Model Army, Town & Country Club 23/12/86

OK so perhaps this gig looks like a bit of a leap. I doubt many of the people who at the Ultravox show made it here as well. I’d been steadily falling under the spell of slightly punkier music. Tapes of Bauhaus and the Sex Pistols had been circulating at school. Parents were being pestered into buying DMs and leather jackets…

Until this point I’d had no idea about punk except seeing something about one of the Sex Pistols being sick at an airport on the news. The few punks that St Albans had to offer seemed incredibly exotic with their mad hair and slogans painted on their backs.

It was angry and there were lots of swearwords and it was definitely better than Midge Ure.

I’d hooked up with this guy at school called Wal. He had originally come to my attention when it was rumoured that he’d taken on his whole class during a woodwork lesson. With a large bit of wood. We bonded over music and hung around a lot, eventually venturing into the local gothy coterie.

Wal seemed like a natural punk to me, he was prone to spontaneity and getting into trouble. He brought me out of myself quite a bit. He ended up really badly falling out with his parents and living in a tent in a mate’s garden. At one point he stole his parent’s car while they were away on holiday (“don’t have any parties, don’t use the car”) . We went on a week-long jaunt to the south coast, sleeping in said car in multistoreys.

So Wal and I headed down to the gig on the train. New Model Army are the godfathers of a particular strain of “crusty” – all that celtic tribalism and tats and jewelry. (Didn’t chart pop sensations The Levellers emerge out of their following or something?) They had a slightly odd puritanical streak to them. And wore clogs.

Some years later when I was a student one of my housemates invited a bunch of New Model Army fans to stay. The noise of their fucking clogs going up and down the stairs was some way beyond my fairly elastic definition of acceptable behaviour for guests.

I can’t remember anything much about the gig.

“And once again apologies for my short sightedness.”

Previously on uncarved.org we discussed the folly of insensitive rape imagery and gave some examples of women’s autobiographical accounts.

And in today’s episode:

—– Forwarded Message —-

> From: Paul Mackley
> Sent: Tuesday, 10 February, 2009 14:03:39
> Subject: RATTUS RATTUS’ Latest Mix CD
>
> Hope the new year has been treating you well :). After a busy close to the
> year i have finally had a chance to finish my latest Mix CD Raped By Bass
> Volume 3. All the suitable links and artwork are below…. enjoy 🙂
>
> Also dont forget come and celebrate VALENTINES DAY Urban Nerds style this
> Saturday 14/02:——>
> —

> Paul Mackley
>
> info@rattusrattus.co.uk
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