Wordsound Power

WOEBOT: Illbient

Matt’s halloween post on illbient was an interesting read for me because I’d just started getting back into that end of things myself during the change of the seasons.

I was never really into DJ Spooky and don’t own any Asphodel records, but did spend considerable time melting into Kevin Martin’s compilations for Virgin like Macro Dub Infection and Isolationism. These lead me down so many paths that it’s worth another post in itself, but one of them ended up at an alleyway in downtown Crooklyn where I’ve always imagined the Wordsound HQ to be.

WordSound is not a record label in the traditional sense. We are not concerned with hitting the charts, breaking groups, or making hits. WordSound is a guerilla think tank banded together for the purpose of continual creativity…

WordSound was started to harness the energy of the underground–those creators whose radical approach to the word, sound, and vision has been suppressed by the domination of the corporate overlord.
We are here to provide the people with a true alternative to the commercialized arena, and hijack institutions that choke free expression….

Our name comes from the Rastafarian expression: “Wordsound have power,” which acknowledges the spiritual energy emanating from the combination of words and sounds, lanquage and rhythm, text and ambience. WordSound is the word of sound–how the music speaks to us subliminally, and what it says…

Wordsound albums were never that easy to get hold of in the UK, but I did eventually managed to grab a complete set of their Crooklyn Dub Consortium compilations. Dark dubby downtempo hip hop for outernational heads, they were a bit of focal point for a certain post post post punk experimentation which took off from where sections of Macro Dub Infection began.

Wordsound managed to seamlessly absorb, predict and dub out whole swathes of musical mythology: rasta, Wu-tang, cut ups, dubplates, Hassan I Sabbah, soundsystem, Moorish Science Temple, occulture, a wilting daisy age, Sun Ra, afronauts, you name it.

The bewildering roster uncovered unknowns as much as it covered up the pseudononymous monikers of the famous. Like a soup kitchen for Control Agents worn out by contracts, paperwork, bills, overheads, spreadsheets, demographics, meetings, ass-lickers.

Ex-members of SWANS rubbed shoulders with De La Soul collaborators as if it was the most natural thing in the world…

After a while the Crooklyn vortex sucked me in like Burrough’s Interzone. I felt a bit suffocated by it all, but still vowed to return. Another wave in the global capitalist crisis paved the way for my re-entry. Two things, really. The pound’s strength against the yankee dollar, and the hardship of independent record labels.

Wordsound have a sale on right now, with most of their albums marked down to six bucks. That means if you buy one it will cost you a fiver UK money, including shipping to your house. Five quid – to your door! Yes they got sound samples, yes they take paypal, yes shipping is speedy. Grab them while you can – put some food on Skiz’s table so he can carry on with his thing.

http://www.wordsound.com

Reviews to follow.

“if ever I would stop thinking about music and politics”

History is made at night: The great disco debate

On elitism vs utopianism in disco. Great stuff, though I can’t help siding with H.I.M.A.N. on this one. Quite clearly capitalism is glued together by stuff like elitism, hierarchies, celebrity status, etc so it’s hardly surprising that these appear in social movements as well. More interesting to trace the liberatory currents which exist in spite of all the pressure to turn everything into one big shopping mall stuffed with copies of “Hello” magazine. That said, I had to wait until acid house before I felt comfortable setting foot in a nightclub.

Intellectuals with Street Cred?

Over at Mute, the Melancholic Troglodytes review a new book on the lash up between academics and activists in the anti-capitalist movement. I glazed over during the discussions of Negri et al, but there are some great graphics and discussions around DIY cultures like punk, and scathing critiques of certain lifestylist dumpster diving anarchists.

lower end spasm.: blogariddims

I’ve somehow managed to get through the last few weeks without writing about the new series of blogariddims. Points off for me, but you’ve been on board this anyway, right? Eclectic one hour podcasts down the wire every fortnight.

Episode 28 is the bizness – mentalist Brazillian funk stuff which veers off into awesome retro territory about half way through. Courtesy of Greg Beatdiaspora, check these sleevenotes.

Episode 29 comes courtesy of grime urchins lower end spasm. A screwface tour through some impossibly hard to find early grime instrumentals and vocals. Their sleevenotes make the point that the music was never (and isn’t) just all about a handful of mouthy MCs. That – at its best – it’s about bangers as much as any other genre. But, unlike any other genre I know of, brilliant tunes are stacked so high that some of them only partially exist – blink and you will miss them. Forget hearing dancehall promos on rotation and just missing the sevens in the shop, this mix includes rips of mp3s which never saw release, that only existed as the backdrop for pirate radio interventions.

A perfect soundtrack to wandering through a bleak London weekend…

feel positive yet? you might be waiting there a while…

Push it in, that's right... alllllll the way in... yeah baby, just like that. You know that's how I like it. Connect with me.... oooh yeah. I want your credit inside me baby.... oh yeah! I can feel it... OHHHHHHHH.....

I’ve noticed that in my haste to move to a new web host, several minor things have stopped working.

The first of these is the search function on the index page of the “archive” bit of the site, which has now been fixed.

The second is the uncarved shop which will be back in due course with a load more stock.

The last thing, which I don’t think I can fix, is that the permalinks for this blog have now changed. That means any links you have to old posts probably won’t end up where you expect them to. That’s quite annoying as a load of people have linked to things here over the years, but there it is. Apologies, I shall see what I can do.

30 years of Greensleeves

Says it all really. 30 years in a music business not known for having a long term business head. Impressive!

Celebrations have already kicked off with a swathe of reissues on vinyl (yes!) and CD. Plus they have completely revamped their website, including mp3s of most of the tracks which can be bought for a paltry 55p!

Those of you in London can also check out an exhibition of artwork by Greensleeves designer Tony McDermott. Tony has dressed up a whole swathe of great records – everything from those legendary cartoons for Scientist, to the ever increasing array of pop art for the Riddim Album series.

The opening night was a blast, and you can check out the Tighten Up crew spinning some tunes down there tomorrow afternoon.

If you do so, then drop in on Spirit’s Nutritious Food Galley at the top of the road as well. Broadway Market wasn’t always galleries and boutiques and organic loaves, it is steeped in London’s reggae/black history. The X-Press and Jah Tubbys both used to operate out of there, and Spirit is one of the few remaining stalwarts. This is despite the worst intentions of Hackney Council and the offshore developers that now own Spirit’s shop – the latter having hiked the rent by an unsustainable 700%.

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Tony McDermott kindly posing by some of his artwork

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