the world’s fastest rapper [until 2005!]

Photo courtesty of daddyfreddy.com – go deh!

Droid has uncovered a great video featurette on Daddy Freddy which includes his appearance on Record Breakers. Essential viewing made all the better by Cheryl Baker and Roy Castle expressing their admiration/confusion.

Interesting trajectory from yard stuff to “ragga house/hip hop” to Congo Natty to The Rootsman to The Bug. Woebot had him down as a bit of a day labourer at first I think and then revised his opinion.

I love his stuff, of course. Especially that Fashion 12″ Baba Loo Baba La Baba Loo Baba Laba (Them No Bad Like Me). Interesting to see that he’s done some albums with Exterminator according to the biog.

Freddy also rocked out on London’s Sir Coxsone Outernational soundsystem in the mid to late 80s and needless to say I’d be quite up for a copy of this sound tape from ’88: Coxsone vs Saxon feat Tenor Fly, Daddy Freddy, Barrington Levy, Peter Metro, Ricky Tuffy” !!!

belated commentary for Blogariddims#4

Eek-A-Mouse’s “Anarexol” has come back into vogue recently because the live version is heavily sampled on Junior Gong’s excellent “Khaki Suit”. You can hear both of these on Per’s wicked Discobelle mix over at computerstyle.org. This is the original studio cut and features the radics doing real rock like only they know how. Lyrically Eek is commenting on a craze amongst JA ladies to take a drug designed for anorexics so they can bulk up – the stick insect look never really caught on in jamaica! Eek comes back from a trip abroad to find that his woman has got considerably more curvy and wonders what the hell is going on? Is it the pills, is she seeing another man? As the tune segues into an awesome dub, we still don’t know the answer.

General Echo’s “Drunken Master” is one of several Sly & Robbie productions appearing here. I always figured that “drunken” martial arts were about monks getting off their tits. A conversation with a mate of mine who used to teach kung fu revealed that it’s actually a style which involves a deliberate staggering about – presumably to disorient the opponent. There is a lyrical riff here which nods back the The Happs’ “In Heaven There Is No Beer” (Joe Gibbs) which cropped up in a recent thread on the B&F board about people’s least favourite tunes. Russ D nominated The Happs, which basically seems to be an old fashioned drinking song. I quite like it, as it happens. With all the focus on weed in reggae lyrics it’s easy to forget the place that beer has in the dancehall and indeed in JA politics. JLP supporters have always allied themselves to the green of the Heineken bottle whereas PNP supporters opt for Red Stripe. You could put yourself in serious physical danger by asking for the wrong beer in the wrong area. This (and several other tracks on this mix, AND several other essential tunes) are available on the Auralux Sly & Robbies Taxi Sound compilation.

Pad Anthony – “One One Coco”
Josey Wales – “It’s Raining”
I’ll never be able to praise King Jammys 80s productions enough – unbelievably swinging primitive digital bizness. Pad Anthony is similarly underrated and so there are two outing from him on this mix. “One one coco” is an old JA proverb – I’m not entirely confident about the meaning but it seems to be along the lines of “take it slow and steady, one step at a time, and you’ll get there.”

Trevor Spark’s take on the old “Bye Bye Love” standard worked really well in the OTW mix, so here is the man like Josey Wales approriating Wilson Pickett’s “In The Midnight Hour” for his own ends.

Elfiego Barker – “Indiscipline”. All I can say about this one is I know nowt about Elfiego, it’s over George Phang’s take on “boxing” and it is worth considerably more to me than the 20p I paid for it.

Pad Anthony – “See Them A Come”. Genius spacey early 80s dancehall business with the man like Pad Anthony returning to the mix. Paul goes to town on the dub to devastating effect.

Johnny Osbourne – “Them A Terrorist”
Admiral Tibet – “Terrorist”
Shabba Rankin, Admiral Tibet, Ninjaman – “Serious Times”

A few tunes originally recorded in the late 80s and early 90s, stuffed in the mix about a year ago which remain eerily relevant today. I like the Osbourne and Tibet tunes because they both try to compare terrorists with either local badman or international multinational agents of terror (whether they be governments or religious loons). The central message is that all this badmanism is something else that people at the bottom of the pile have to deal with alongside everything else in their fucked up lives.

So, serious times indeed. As I write this there are a load of armed police parked up on my estate, presumably keeping a watchful eye over the properties which were raided on my road last week in connection with the latest alleged terror swoop/outrage.

Junior Delgado – “Fort Augustus”
More funky robot production from Sly and Robbie. I’m not wild about this one so I’ll let Paul tell you why it’s on here. Sly & Robbie were on Radio 4’s Today Programme last year when they did that album with Sinead O’Connor. It was an awesome 5 minutes of interview with them and a bit of their history. Very confusing to have that going on when trying to find a clean shirt for work, I can tell you.

Barrington Levy – “Black Roses”
Dennis Brown – “Revolution”

Wicked. Only Loefah and Kevin Martin and the Plastic People bar staff know this, but these are the tunes which kicked off my set at BASH the other month. Barrington’s famous “Here I Come” was also loosely based on this riddim, and took him to number 41 in the national charts circa 1985, trivia fans.

Red Dragon – “Hol A Fresh”
Flourgon – “Hol A Spliff”

Shall we finish off with some party tunes, then? Yes, I think so. Red Dragon and Flourgon are connected by blood as well as by riddim here – apparently they’re brothers. Nice bit of early ragga 12″ business from the Techniques camp which is now widely available on the outstandingly recommended Dancehall Techniques compilation put out by Maximum Pressure/Pressure Sounds. Incidentally, I would not advise people to take up Flourgon’s suggestion for man to wake up in the morning and build a spliff, especially if your work involves operating heavy machinery.

Shabba Ranks – “Wicked In A Bed”
Cinderella – “Bad In A Bed”

The two sides of Shabba are nicely captured on this mix, and I have vague plans to do a post on his early more “conscious” work with Bobby Digital, much of which is brilliant. This is, to say the least, a bit less lyrically complex. He gets extra points for confidence, for sure and I bet this goes down a treat with the dancehall queens. Everybody loves a good counteraction and Cinderella doesn’t hold back whilst laying into men who talk the talk but can’t back up their words when they get between the sheets. “Slam Bam! Thank you Mam / Then them gone a dreamland”

For all dancehall’s critics laying into its mysogyny and homophobia it has to be said that its lyrical dissection of sexual politics is often more direct and insightful than pop music in general…

Bunny General – “Donkey Man”
Lyrical madness first covered in my blog post on reggae and sexual health here. Wicked King Tubbys digital business to round everything off. Shout out to Danny for this platter.

BASH

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The Bug (Ninja Tune) and Loefah (DMZ) present London’s premier party for UK dancehall pioneers. Expect to grind!

In preparation for his forthcoming LP ‘Straight Outta Britain’, singjay YT pursues his smash success with single ‘England’s Story’ in an exciting collaboration with the UK’s most compelling electronic movement, dubstep, via Digital Mystikz’s Mala.

31st August @ PlasticPeople, 147 Curtain Road, EC2
£5

Mala (DMZ) & YT (Sativa)
The Bug (Ninja Tune) + MCs
Loefah (DMZ)
Jason (Transition Dubs)
plus – free Greensleeves goodies!
Resident host: Sgt Pokes

Blogariddims 4: John Eden & Paul Meme present Dancehall Pressure

 

Paul’s fucked off to Wales and left me and my dodgy wrists to do the write up for this one.

http://www.weareie.com/audio/blogariddims/Blogariddims.xml

is the link. Here is an idiot’s guide of what to do with it

You should also be able to get at it direct (and free) from itunes music store or http://feeds.feedburner.com/blogariddims/

You really should subscribe – the 3 previous mixes have rocked my world and the series has only just begun…

Droid did a nice look into his creative process when he kicked off the series, so here goes with ours:

Paul moved to Sheffield some years ago, when the gritty urban realism of Brixton became too much for him. He has characteristically become an evangelist for the (no doubt numerous) delights of ‘oop north’ and often takes the biscuit by slagging off The Most Beautiful City In The World (i.e. London). Which is a bit rich as he seems entirely reliant on London for both his work and indeed most of his cultural input (cf: Dubstep, uk fast chat, me, BASH, Shaka, virtually all of the shops selling records on our mixes etc). I have pointed out this amusing contradiction to him on many occasions but he amiably responds that consistency is the hobgoblin of small minds, or something.

So anyway, despite loathing London, Paul has stayed round mine lots and lots of times for the last few years. I reckon in 2004/2005 he was probably down at least every other week for a couple of nights. The general running order is that Paul would show up, tell me how much better Sheffield was than London, whack an M&S curry in the microwave and then change out of his suit. After we’d downed some red stripe we’d get to “work” by me hauling out some of the best tunes ever made and sticking them into some kind of order, whilst Paul nodded his head, shook his head, or (usually later in the evening) danced around the room shouting “YES! YES! This is the best record ever made!!!” If you’ve ever met Paul you will understand this.

Sometimes we’d discuss prospective mixes or the state of the world on my balcony as well. We’d generally record all the tunes onto my Sony CD-Recorder. Paul would take the CD away and weave some magic(k) with it, possibly involving a computer and other stuff.

Next week he’d bring it back and we’d play it in the living room. Loud. I’d congratulate him on mending my most heinous errors, and berate him for including wacky sound effects every 6 seconds. Sometimes we’d tweak the running order or maybe come up with some new sections, but mainly things sounded great as they stood.

Sometimes the mixes would come out of an idea (i.e. to promote UK fast chat material, or capture a certain era of reggae music) and sometimes they’d just be what sounded good. The tunes on this mix are the latter. They’ve been thrown together by Paul out of the several evenings we spent laying down tunes for the mix for On The Wire on BBC Radio Lancashire. They’re not so much out-takes as what would have been on the mix, if it had been twice the length…

Having taken the trouble several weeks ago to dictate the tracklist over the phone to Paul I’m buggered if I’m going to type it all up:

OK, so I just typed up a massive commentary on all the tracks and then got hit by a wordpress “500 internal server error”, wiping it all out. Not enough wrist-time to do it again. Sorry. Perhaps another day.

Big Chill 2006, Eastnor

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If it’s August it must be Big Chill time. I think this was my fourth. Now, obviously this festival has a reputation for being safe, middle class, white, and generally unthreatening. Which I wouldn’t expend too much time disputing (although apparently the Lost Vagueness tent included live onstage auto-fisting this year). My retort would instead be that I am no longer sufficiently “edgy” to see the benefits of taking my four year old to some kind of illegal ket-fuelled teknival to listen to harsh techno for a week.

One of the Big Chill’s particular talents is to not bother with any massive headliners but instead to focus on very good music that most people haven’t heard of. They also allow established groups to stretch out a bit, more of which later.

We went down mob-handed, a little encampment set up with mates and their kids. This meant we kept very different hours from the more rave-tastic types at the other end of the site. Indeed most of the weekend was spent lodged between the kids’ tent (puppet shows, craft-type stuff, rocking horses and general kiddy socialising) and the Castle Stage (less-banging than the not very banging other stages and quite banging club tent).

Highlights

Lilly Allen. She must have been booked before all the recent furore. I thought she was great – nice tunes, bit giggly, good lyrics, all that. Plus she gets bonus points for getting Studio One music to the top of the charts where it belongs, yes? (And, as Matt Woebot has pointed out, she may have been steeped in reggae from birth by her father – like him or loathe him).

Bikini Beach Band. Doing surf guitar versions of pop classics (Blue Monday, Teen Spirit, Hey Ya, etc). There ended up being a lot of this sort of recontextualisation (ooh!) what with Nouvelle Vague, The Ukelele Orchestra and the accursed Guilty Pleasures. But BBB have a special place in my heart because they are from down my way, wear Fezzes and apparently some of them have some distant connection to The Godfathers.

Amadou & Mariam brought back a lot of memories of listening to their stuff on the road in Uganda.

What I heard of Jerry Dammers set of library records was excellent and he was camping about two tents away from us in the family field. Respect!

Uber-highlight 

Sparks were a fantastic surprise – they played all of their new album which is GENIUS. Proper electro-pop with funny/clever lyrics which weren’t wacky or up themselves. Plus some great interactivity with the visuals – Ronald having a fight with his video doppelganger etc. Then the 2nd part of the set was a look back at their other 19 albums (!) including yer “This Town” and “Number One Song”. Stunning. Not everyone’s bag, but definitely mine. I can’t think of any other festival that would have Sparks on as headliners and allow them to play such an extended set – it was clear that the band were loving it as much as we were.

Big, Broad, Massive-and-Hard Highlights 

The Funkywormhole tent was tucked away right down at the other end of the site from our main base and I only made it down there on Sunday after salivating over the line up all weekend. The soundsystem weighed a ton and made all the right noises.

Manasseh were on! I was very excited about this as they’d done two of my favourite tunes from 2005 (remixes of Emilian Torrini and Twilight Circus). They were on top form, playing some of their own new stuff and also some tunes I put on the first Shake The Foundations mix back in 2001, heh! Is their album finally on the cards, or what?

Bam Bam is Johnny Clash and Duck and they were just great with proper party ragga jump up bizness, ably assisted by MC Kwasi who apparently just showed up and asked to play with them. Good job too. They played a load of stormers with big stupid grins on their faces, skanking about behind the decks like nobody’s business. It was infectious – comatose people came back to life, people wandered into the tent to get a beer and stayed… I had to get back to the posse, but apparently it continued to go right off…

Listing the big musical events is much easier to write about than the rest of the festival, but I think it is probably “the other stuff” which really makes the Big Chill the Big Chill. I had a great time not striving to particularly catch anything, wandering about, talking nonsense with mates in the campsite and, uh, “chilling”. Best BC I’ve been to as a Dad, I reckon.

round up

A welcome return to blogging for the man like Dubversion (formerly of Pounding System).

Matt B presents his Blogariddims mix, with some great electronica, dubstep and 21st Century reggae. All of the series has been wicked…

Crucial dancehall mix from Computerstyle.org – check his “Like A Thunder” mix as well if you haven’t – double barrel lickshot!!!

Dubbing in Tokyo blog from occasional commentor Downpressor.

Belated greetings to Doppelganger.

My BASH review on Dissensus.

So much to do, so little wrist-time. Been listening to a lot of records and reading a lot of pulp fiction. i hope I’ll be able to tell you about it at some point.

BASH#6

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“Coki(Digital Mystikz), Kode 9(Hyperdub), The Bug(Ninja Tune) & Loefah(DMZ) plus host Sgt Pokes will be raising the temperature on Thursday 27th July at BASH. Strictly party, no arty farty, big bottom tunes and heavyweight grooves.”

10-2
Plastic People, Curtain Road, London

http://www.bashsound.com/

Believe the hype…