{"id":228,"date":"2003-11-10T08:58:56","date_gmt":"2003-11-10T07:58:56","guid":{"rendered":"https:\/\/www.uncarved.org\/blog\/?p=228"},"modified":"2014-05-21T09:50:06","modified_gmt":"2014-05-21T09:50:06","slug":"312","status":"publish","type":"post","link":"https:\/\/www.uncarved.org\/blog\/2003\/11\/312\/","title":{"rendered":"x years to get out\u2026"},"content":{"rendered":"<p>Finally got around to watching <i>American History X<\/i> on video last night (It was on telly a couple of weeks back). Thought it was pretty good and compared favourably with other &#8220;nazi-skinheads come good&#8221; efforts like <i>Romper Stomper<\/i>, and, uh&#8230; <i>Made In Britain<\/i>.<\/p>\n<p>Good soundtrack by Anne Dudley as well (you&#8217;ve got to have a soft spot for Anne Dudley &#8217;round our house because she used to be in the Art of Noise and did a pretty good collaboration with Jaz Coleman from Killing Joke).<\/p>\n<p>Anyway, I won&#8217;t bore you with the plot but I thought it was very good at the unfolding of fanatical thought and a realisation that there might be holes in an all-consuming extremist political worldview. (For example the all to common spectre of young dispossessed people being used by older more astute politicos to do their dirty work)<\/p>\n<p>But&#8230; it was a bit fuzzy on what the main character replaced this with. So you ended up with a bit of a liberal almost-pacifist vagueness which is <i>almost <\/i>a complete <i>absence <\/i>of conviction or thought. Obviously that&#8217;s preferable to stiff right arm shouty fascism, but I think it ignores a crucial fact that prison is a site of political awakening and activity.<\/p>\n<p>So whilst the prison scenes in the film are very good at interpersonal relationships, the actual <i>activities <\/i>of prisoners are shown only as work \/ recreation \/ eating, etc. The conflict in the prison is depicted as being purely between prisoners (on a variety of levels) but hardly ever between the prisoners and the prison authorities.<\/p>\n<p>There is no suggestion that prisoners engage in any form of active learning or resistance or that prison is anything other than a neutral site in which people (some good some bad) exist for the duration of their sentences.<\/p>\n<p>And there can be no doubt that the majority of time spent in prison is mind-numbingly tedious and mundane, and not to be romanticised as some sort of &#8220;university for revolutionaries&#8221;. But I was struck by the lack of coverage of <i>any <\/i>form of self-education or resistance\u00a0&#8211; something which seems to be very important, crucially important, in writings by (ex) prisoners I have read.<\/p>\n<p>So on that note, I can wholeheartedly recommend <i>BAD &#8211; The Autobiography of James Carr<\/i> (Pelegian Press, 1995). You can read the excellent <a href=\"http:\/\/web.onetel.net.uk\/~davewalton\/archive\/global\/bad.html\">afterword to the book here.<\/a><\/p>\n<p>Other stuff:<\/p>\n<p><a href=\"http:\/\/www.enrager.net\/caps\/\">Campaign Against Prison Slavery<\/a> &#8211; campaign against forced labour in British prisons (plus lots of related news).<\/p>\n<p><a href=\"http:\/\/www.christiebooks.com\/html\/reviews\/bendy5.html\">Review<\/a> of <i>Bending The Bars<\/i> by John Barker (Christie Books, 2003) by Mark Barnsley and the <a href=\"http:\/\/www.christiebooks.com\/html\/publishersnotes\/bendyfore.html\">foreword to the book.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Finally got around to watching American History X on video last night (It was on telly a couple of weeks back). Thought it was pretty good and compared favourably with other &#8220;nazi-skinheads come good&#8221; efforts like Romper Stomper, and, uh&#8230; Made In Britain. Good soundtrack by Anne Dudley as well (you&#8217;ve got to have a &#8230;<\/p>\n<p><a href=\"https:\/\/www.uncarved.org\/blog\/2003\/11\/312\/\" class=\"more-link\">Continue reading &lsquo;x years to get out\u2026&rsquo; &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-228","post","type-post","status-publish","format-standard","hentry","category-bookzine-reviews","category-misc-music"],"_links":{"self":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts\/228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/comments?post=228"}],"version-history":[{"count":2,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts\/228\/revisions"}],"predecessor-version":[{"id":5725,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts\/228\/revisions\/5725"}],"wp:attachment":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/media?parent=228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/categories?post=228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/tags?post=228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}