{"id":4434,"date":"2011-03-27T11:11:45","date_gmt":"2011-03-27T10:11:45","guid":{"rendered":"https:\/\/www.uncarved.org\/blog\/?p=4434"},"modified":"2012-03-08T23:32:26","modified_gmt":"2012-03-08T23:32:26","slug":"joseph-cotton-tribute-to-smiley-culture","status":"publish","type":"post","link":"https:\/\/www.uncarved.org\/blog\/2011\/03\/joseph-cotton-tribute-to-smiley-culture\/","title":{"rendered":"Joseph Cotton tribute to Smiley Culture"},"content":{"rendered":"<p>Veteran UK reggae artist Cotton with his own tribute to Smiley (thanks to Manwel T of the Blood and Fire Board)<\/p>\n<p>http:\/\/www.youtube.com\/watch?v=0FYXmsGze-8<\/p>\n<p>Chris commented below to highlight this performance by Smiley and <a href=\"https:\/\/www.uncarved.org\/blog\/2006\/07\/asher-senator\/\" target=\"_blank\">Asher Senator<\/a> on <a href=\"https:\/\/www.uncarved.org\/blog\/2011\/03\/smiley-culture-club-mix-1986\/\">UK Club Mix in 1986<\/a>, which is a lovely medley of UK reggae tunes and catchphrases, including Joseph Cotton&#8217;s classic &#8220;No Touch The Style&#8221;:<\/p>\n<p><iframe loading=\"lazy\" width=\"730\" height=\"548\" src=\"https:\/\/www.youtube.com\/embed\/s9R6lDzarC4?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Also featured in the lyrics are Jah Tubby&#8217;s Dixie Peach, Michael Gordon, Tippa Irie, Lorna G, Maxi Priest and Aswad.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Veteran UK reggae artist Cotton with his own tribute to Smiley (thanks to Manwel T of the Blood and Fire Board) http:\/\/www.youtube.com\/watch?v=0FYXmsGze-8 Chris commented below to highlight this performance by Smiley and Asher Senator on UK Club Mix in 1986, which is a lovely medley of UK reggae tunes and catchphrases, including Joseph Cotton&#8217;s classic &#8230;<\/p>\n<p><a href=\"https:\/\/www.uncarved.org\/blog\/2011\/03\/joseph-cotton-tribute-to-smiley-culture\/\" class=\"more-link\">Continue reading &lsquo;Joseph Cotton tribute to Smiley Culture&rsquo; &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-4434","post","type-post","status-publish","format-standard","hentry","category-reggae"],"_links":{"self":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts\/4434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/comments?post=4434"}],"version-history":[{"count":2,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts\/4434\/revisions"}],"predecessor-version":[{"id":5082,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/posts\/4434\/revisions\/5082"}],"wp:attachment":[{"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/media?parent=4434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/categories?post=4434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uncarved.org\/blog\/wp-json\/wp\/v2\/tags?post=4434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}