licking stamps, listening to ipod

…was mainly spent in the post office and drinking (tho not at the same time). It amazes me how many people come out of the woodwork this time of year who have no idea about post office etiquette. Like, yes, you have to bring your own box for the things you are sending – and n0, it isn’t ok if you wrap it all up while we wait in the queue.

I take my post office and distribution role very seriously. Hell, I’ve even introduced some new security since the new issue of Woofah was printed. All issues are now guarded by our fearsome kitty-guard whilst sitting in the postroom at Woofah HQ:

I’ve sent out over a hundred copies of Woofah issue 3 over the last week and about 400 have gone to distributors. So now is the time to grab yourself a pre-christmas treat if you were hesitating. Buy direct or from our recommended stockists.

Whilst waiting in line to be served by the nice ladies (and gentlemen) at the P.O. I have had a chance to catch up with some podcasts and stuff:

Mr Trick and Wrongtom do a podcast for Resonance FM (who should let them on the airwaves again!). Really great eclectic tunes and some excellent chat – I really like the interplay between the two and it’s quite relaxing to listen to people speaking about music for a change rather than seamless mixes. Their xmas speciall went up today, so check that out if you want to feel festive. Paul STN brought this to my attention because the Hertfordshire accent of one of the duo reminded him of me.

Grievous Angel – 4×4 Hell Mix – Paul Meme brings the garridge flava with some great warm basslines and even the odd snatch of Burning Spear vocal. Great stuff for warming up.

Dusk+Blackdown+Trim: Rinse FM show. Nuff said, really! A rare return to radio for Trimbal.

Cassava Outernational: test press for Hiders show mix – some Rhythm & Sound, reggae and dubstep, exquisitely blended. Pale Rider flagged this up in the comments boxes here, so out to him.

Wiley vol1: Grimetapes.com compilation of the man’s finest moments on pirate radio.

Sufferah’s Choice – DJ Stryda, denizen of UK Dub and the Bristol reggae scene. Radio show from Passion FM – this episode featuring Mark Iration in characteristically lively form.

Still to hear:

Heatwave’s best of 2008 mix for FACT Magazine

D Double E – Grimetapes comp similar to the Wiley one above.

Woolworths

Warrior in woolworths
Humble he may seem
Behind his serville innocence
He plots and he schemes

Woolworths, one of the UK’s longest running high street general stores, has recently gone into administration. This has heralded much discussion of the guts being ripped out of the “traditional British High Street” – discussions which are underlined with a heavy dose of nostalgia for times gone by.

It’s wrong to stick the boot in when someone is on the ground but my local branch has seemed a bit directionless for years – an uninspiring array of DVDs and computer games, piles of remaindered books and a bargain basement selection of kitchen equipment and kids’ clothes. The toys selection is (was?) OK, so our main reason for visiting has been to sort out material for kids’ birthday parties.

Warrior in woolworths
His roots are in today
Doesn’t know no history
He threw the past away

It wasn’t always thus. Pre-internet and even pre-catalogue shops like Argos, Woolies was pretty exciting. As a small child there was something wondrous about the vast layers of sweets in the “pick and mix” section – something which united kids and pensioners alike. In fact I remember being profoundly shocked, as a child, when I saw an ancient old man shoplifting from the pick ‘n’ mix – my whole perception of old people being respectable and boring was completely shattered! We exchanged glances and I’m sure my expression changed from horror to a wry smile…

In the early eighties Woolworths became a sort of pseudo living room for me on Saturday mornings. They had all the consumer durables that were absent from my family home. An Atari video game which was sometimes left on with joysticks attached (but usually without). Racks of seven inch singles – the entire Top 40 mapped out in picture sleeves. And the focal point – a large TV monitor with a showreel playing highlights of the VHS video cassettes that were for sale. This was in the days when there were only 3 channels on the telly and probably before the inception of breakfast TV. (My daughter simply doesn’t believe this.)

The showreel was a series of hints – little slabs of media which would fire your imagination but never satisfy. Bob Hoskins shouting and a pub exploding in “The Long Good Friday”, Freddie Mercury gyrating in skin-tight leather for the video of “Crazy Little Thing Called Love”, and some films which were probaby straight-to-video, like one I remember about a vigilante truck driver who went around terrorising kids who were interfering with the ambulance signals with their CB radios. Some Saturdays there would be a crowd of us watching it all the way through, maybe more than once.

My local “Our Price” was an intimidating place to be for a twelve year old – lots of towering teenagers in leather jackets, a bewlidering array of arcane material, surly counter staff. Of course I fell in love with the place a few years later, but Woolworths had a much more homely feel to it.

And so it came to be that one Saturday I reached up and handed over my saved up pocket money to the unthreateningly mumsy woman behind the counter and got a copy of Adam and The Ants’ “Kings of the Wild Frontier” on cassette in return. My first album, which I still have 28 years later. It still sounds great, too. Well, the actual cassette sounds terrible, but the mp3s I downloaded the other day are wicked – top pop tribalism all round.

Warrior in woolworths
Dips on friday nights
Youths meet at Stockwell tube
Weapons rule their lives

Amongst the nostalgia for pick ‘n’ mix there is also a feeling of dread. In an era of uncertainty it is perhaps only natural to look back to a time when things seemed more friendly – when it was less clear that our lives were dictated by forces completely outside our control.

I doubt that the woman who sold me my first album is still working, but her counterparts across the UK have unemployment snapping at their heels. It’s easy to romanticise the bleakness of boarded up shop windows and empty shopping centres populated by punks and skinheads when looking back at the 1980s, but it’s not much fun when that becomes a prospect in the here and now. So, unplug the jukebox…

Nasty Jack – Shotta Music (Goldseal CD)

“Raggamuffin Nasty Jack inna de area, me a true grime star…”

Don’t tell the better half, but by my reckoning I have bought 14 grime mixtapes this year. The imminent release of the 4th installments of both Jammer’s “Are You Dumb?” and Trim’s “Soulfood” will surely increase this total (and we’d better not mention the numerous 12″ purchases either…)

It’s rare for me to get sent a Grime Promo CD – and rarer still for it to be any good. But when Nasty Jack’s “Shotta Music” turned up just after we’d put Woofah issue 3 to bed, I had high expectations.

We’re talking pedigree here – learning one’s trade in N.A.S.T.Y. Crew and some infamous lyrical beef with Wiley. Jack’s “My Name Is” 7″ on Adamantium was one of last year’s highlights – proper raggamuffin grime which was cruelly expunged from the grime in the dancehall Blogariddims mix – purely because Paul Meme and I had so much great material… and something had to go.

“Shotta Music” is essentially a UK ragga album – many of the riddims feature sparse drum and overdriven bass, soundsystem style. High-octane war lyrics and party rhymes abound. On “Sandakarn” Nasty Jack gives thanks and praise to Ninjaman, Nicodemus and Super Cat and pays tribute to the 90s JA deejay style. This is followed by Stormin’s ganja-fuelled take on the same riddim – a proper treat for all version excursionists.

I played the “Skyjuice riddim” on RSI Radio 3 and you can hear it on Nasty’s Myspace. I’ve also bigged it up in FACT Magazine’s “Tunes of The Week” – seems like they agree with my assessment cos they’ve put it in at number 2. The tune features Flowdan, Skepta and Teddy Brukshut alongside Nasty Jack and is outrageous – get to know.

“My Name Is” also features on the CD (I’m guessing that the seven inch is now pretty hard to come by) as do long awaited tunes like “Burn You”. Brukshut and Stormin’ bust out their best rhymes. There is some great interplay between rockstone gruffness and the occasional sprinkling of melody. Oh yeah and dubstep fans will love the vocalling of Zombie’s “One Spliff A Day” relick.

Apparently the forums have featured some rumblings of discontent about Kiss FM DJ Logan Sama hosting the album, but his vocal introductions are unobtrusive and I find them pretty entertaining myself. Oh yeah, apparently some versions of the CD release include a bonus CD of instrumentals, so watch out for that.

A lot of JA music seems to be in the midst of an uninspiring phase for me recently, so it’s been a relief that so many exceptional UK (and outernational) releases are filling that vacuum this year. Do yourself a favour and check this one out.

harking back to the ark #2

‘Lee ‘Scratch’ Perry – burning down the Ark’ with Henk Targowski

Saturday 29th November – 5pm

Housmans Bookshop
5 Caledonian Road, Kings Cross, London N1 9DX
http://www.housmans.com/

Black Ark photo by Peter Dean Rickards, afflictedyard.com
Black Ark photo by Peter Dean Rickards, afflictedyard.com

Reggae producer Lee ‘Scratch’ Perry is one of modern music’s undisputed legends; his groundbreaking production techniques proving hugely influential to this day. However, his visionary talents came at a price – by 1979 the pressure of the Jamaican music industry and the excesses of his lifestyle caught up with him, leading Perry to a mental breakdown that damaged both his personal and musical life. Perry’s studio, the Black Ark, fell into disrepair, and it looked as if Perry would never work again.

In April 1979, Perry received a visit from Henk Targowski, an impresario and owner of Black Star Liner distribution, a record company based in the Netherlands. Targowski wanted to distribute Perry’s material, but was not prepared for the madness he would encounter at the Black Ark – reels of master tapes lay strewn on the floor, and the recording equipment was next to useless due to water damage from a leaky roof. The once proud studio was now little more than a junkyard.

Along with some associates, Targowski decided to attempt a salvage operation, trying to refurbish and restore the studio to working order. Financed by Black Star Liner, construction work progressed throughout 1980, and new equipment was ordered and installed. Along with a motley crew of European studio musicians, Scratch erratically recorded what would eventually become the ‘Return Of Pipecock Jacxson’ album – the last album to be recorded at the Ark.

By the spring of 1980, however, the restoration project was abandoned, and Black Star Liner’s crew left Jamaica for good. What had been painstakingly rebuilt in the past year was dismantled and destroyed by Perry. Worse was to come: one morning in 1983, the Black Ark burned down. Fire raged through the concrete structure, the temperature inside becoming so intense that it eventually blew the roof off. The studio, the source of some of the most powerful music ever recorded, lay in ruins.

“The Black Ark was too black and too dread,” Perry explains. “Even though I am black, I have to burn it down, to save my brain. It was too black. It want to eat me up!”

We are delighted to welcome Henk Targowski to Housmans to recount his memories of Lee Perry, and discuss all aspects of this seminal producer’s work. Henk is also the publisher of the now ultra-rare fanzine ‘The Upsetter’, copies of which we hope will be available on the day.

Linkage

History is made at night: Datacide in Berlin – Neil’s account of the conference and party.

Matt B has moved his Idle Thoughts For Idle Moments blog to a new location. Check it out and you will find a dub mix, a nice tribute to UK Dub Stalwart Martin Campbell, and Matt’s commentary on his extraordinary contribution to the last Blogariddims – 83 reggae intros in 6 and a half minutes!

Expletive Undeleted with superb reminiscences of old skool (pre-jungle) dub techno, DJ-ing on pirates oop north, ‘ardkore in Edmonton, you name it.