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The continuing saga of a compulsive hoarder.
Week 4: Odin vs Satan vs Kali

I only ever read Anton LaVey’s outpourings for a laugh or as a precursor to criticising people who thought he was really profound. Had his death added to or subtracted from the mythology? A copy of the Church of Satan in-house journal and LaVey-fanbwoy organ The Black Flame was my test.
And Odin? Well, setting aside the dodgy politics of some of his followers, I always had a grudging respect for the northern european runic posse. I’ll take serious drinking, berzerker mayhem and the aesthetic simplicity of the runes over the arty fartyness of wicca, tarot, etc on most days of the week.
Also a random hodge podge of other occultnik mags from yesteryear, including the “Kali issue” of Tantra. I muse that new age ponces like Sting should definitely have more Kali in their lives.
Result: A resounding victory of Odin to the tune of Β£17 nicker, althoug the winning bidder also snaffled the satanic stuff. Make of that what you will.
Week 5: Do fetishists pay with rubber cheques?

Ebay fatigue was beginning to set in, so only 4 items rather than the usual ten. Skin Two used to be a great magazine, filled with slightly arty photos of curvy pale gals in tight shiny black outfits. Oh, and some great articles on all sorts of slightly edgy stuff – interviews with Clive Barker, pieces on Angela Carter, that sort of thing. (Obviously the main reason I bought ’em was because of the articles – you know that, right? π )
At some point in the early 90s Skin Two mutated into a rubberist version of Vogue and I gradually lost interest (“what you gonna do when the novelty has gone?”). Two issues remained an onto ebay they went, with a slight pang of reluctance – my first!
Also a copy of The Obsession, a novel by Terence Sellers, who is more famous for writing The Correct Sadist – a well observed “how to” guide which was non-salacious and very insightful on a number of levels. Terence is quite an interesting character – a New York based transsexual dominatrix with connections to Genesis P-Orridge.
Result: One of the mags had my biggest number of views at 81. You never know if that is because people just want to have a peek or if they are seeing if it is something they have already (and want to sell!) though. One issue sold for a tenner whilst Terence went for the bargain basement price of Β£1.20, something I felt quite bad about on her behalf (like she gives a flying one).
Also this week: some signs of change in my better half. Whilst watching an episode of ‘Six Feet Under’ on DVD I noticed that it featured reknowned sex author Susie Bright. I wandered off to get my copy of RE/SEARCH – Angry Women to make sure it was the same one. It was! MBH asked, slightly anxiously – “you’re not going to sell that, are you?”. I wasn’t, but it was definitely a turning point.
Mid January 2007.
The better half is pottering about the flat and pointedly asks “what is all this shit in the cupboard?”.
I have a look and retell the story of my masterplan to flog an assortment of Valuable and Rare documents on ebay. Or redistribute them to the needy. But yes, I have to confess, they are basically a load of mouldering fanzines that we have now moved house about 4 times without me looking at them.
I resolve to do something about it – to clear space, to get some much needed cash, but also to test my unconscious theorem that “where theres zines, there’s brass”. What is the actual financial value of various subcultural artifacts stretching from the 60s to the 90s?
The clearout includes a number of strands, the most time-consuming being the selling of at least 10 items a week on ebay for 10 weeks. It proved an interesting exercise – one which would see me colliding with my past as well as starring in some improbable encounters with underground “celebrities”.
Week 1: Step Right Up Folks! Anarchy For Sale!

I kicked off by bunging on a load of UK anarchist magazines from the 80s. Things seemed so clear then. Yuppies vs the working class, Thatcher vs the miners, everyone vs fascists. At least the tories came right out and said they were going to shaft vast sections of the population, they didn’t dress it up in Blair-speak consultation jargon.
80s anarchism (in the UK) was in many ways a product of Thatcherism. Arguably “the movement” is still coming to terms with its high profile then and its inability to (er…) capitalise on it.
At its best, anarchism goes some way towards creating an entirely new politics as well as providing some compelling criticisms of both capitalism and its main opponent so far (Leninism/Stalinism/Trotskyism). At its worst it becomes another trap, clique or racket which gives some comfort to self-styled revolutionaries without actually ever achieving anything other than noise and endless pamphlets.
Exhibits 1-10 were mainly local newsletters from throughout the UK. The idea of people being able to walk down their high street and be given the opportunity to buy a scurrilous local lefty newsletter is still very appealing. The anarchists where I grew up were significantly less patronising than the socialists (though not entirely immune from wanting to “educate” me).
I worried slightly about being denounced for “recuperating” revolutionary texts for my own personal profit. My conclusion was that the downturn in the class struggle is not because of a lack of availability of 80s newsletters.
Result: All sold. Most bids: 7. Most views: 42. Highest price: Β£16.71 for 2 issues of a Southampton zine called Boot ‘Em!. The group and politics behind Class War have the most valuable brand. All bidders from the UK. One bloke makes off with 90% of it. I subsequently discover that he is reselling them on abebooks. Anarcho-speculation?
Week 2: Primitivist Accumulation: Stewart Home vs Green Anarchist.

I cash in on the wave of anarcho nostalgia and add some prime 70s UK mags like Anarchist Review, Anarchy and some more recent stuff like Black Flag. Also some unadulterated pony from Green Anarchist and the american Anarchy a Journal of Desire Armed which I am slightly surprised I still have. Oh and a Stewart Home pamphlet.
This brings back some memories of the lengthy and vicious feud between Green Anarchist and Stewart in the mid 90s, which is best documented here. Needless to say the juxtaposition of Home’s humour, class consciousness and style with Green Anarchist’s misanthropy and cluelessness was as instructive as it was entertaining.
Result:
Quite good bids for Black Flag and the bulk of the anarcho stuff. The Stewart Home pamphlet goes for a respectable fiver after 4 bids and 37 views, making it top of the pops this week. With no watchers and no bids at all the G.A. and “AJODA” stuff is left in the recycling bin of history where it surely belongs. Arguably not a fair fight because of primitivists’ objections to using technology (although this doesn’t seem to stop them having websites…)
Week 3: Cash from Chaos

Having rid the flat of most of its anarchists, it was time for my culling scythe to be introduced to the occultists.
It is undeniable that occultism has played a big part in european history. These days I don’t think I’d recommend that anyone spend time looking into this stuff, but I once felt there were some interesting ideas there, or at least some engagingly wacky people. Nice for a holiday, but you wouldn’t want to live there…
Occult means “hidden” and for my purposes here, this boils down to “a large number of customers who are obsessed with collecting things which came out years before they got into it”.
Whilst T.O.P.Y. was often criticised for being a personality cult around Genesis P-Orridge, chaos magick always struck me (in London at least) as being a personality cult based around a few individuals who didn’t even have personalities.
Chaos International always prided itself on being elitist and for “those in the know”. Had the passage of time reinforced that? I also added a copy of Liber Null/Psychonaut (a book I have never read) and a copy of the late great Nox – a magazine so dark that you had to read it with a torch, even in broad daylight. Some of the mags seemed to have odd stains on them and I resisted the urge to hype it all up by saying they were the bodily fluids of some well-known apocalyptic folk musician.
Result:
Chaos magick’s stock remains buoyant, with 4 of the mags going for over a tenner and a bidding war peaking at Β£16 for one of them. Disappointingly Nox only goes for 7 odd quid despite being the better magazine. All items sold, biggest number of views was 74.
It is also worth noting that a significant proportion of chaos magickians seem to be fucking rubbish at paying. Presumably because their “non-beliefs” don’t extend to actually honoring their promises to cough up. “Why pay your bills when you can be STICKING IT TO THE MAN?” as a friend commented. Eventually my persistence paid off, however.
Hungry for more, huh? Here are a few thoughts on the riddims themselves…
I had planned to try and outdo Droid’s recent commentary on his raggamortis mix, but time has not allowed this. Plus I realised that I would basically just be plagiarising large chunks of Dancehall Explosion: Reggae Music Into The Next Millennium by Baek and Hedegard. So you should just read that, yeah? Instead, here is a whistlestop tour through the mix with my characteristically shabby research shining through.
Broke Bottle / Q45 / Desmond & Rupert Blake
A nice bit of brittle minimalism to kick off with. Egg Nog isn’t the meanest name “on road” but comes across as a fairly convincing gangsta on this. Beenie’s cut includes a nod towards Dee-Lite, one of those bizarre incursions into dancehall by rave/dance culture that I am so fond of. Harry Toddler wins the prize for the first reference to John Gotti on this mix – the first of many, but can you spot them all?
Baddis Ting / Hi-Profile / Richard Browne
Baddis! Prepare for a pounding by serious bass action. If anyone ever did “screwed and chopped” gabba, then it might hope to sound this good. The riddim was re-versioned recently but for my money it’s all about the originals. Nice to see the producer being grilled on the dub! No doubt I have missed some crucial vocal cuts, but seemingly it’s all good. In JA a “jacket” is someone’s husband who is unaware that he is not the biological father of his children. See Tanya Stephen’s more tender “Little White Lie” for the other side of the story.
Black Widow / Shines / Shane Richards
I like the plinky plonky synths on this. Cobra announces that he has sufficient variety in the bedroom to keep any woman entertained whilst Goofy declaims the limitless opportunities for things to mess up in these last days.
Powerplay / How Yu Fi Sey Dat? / Redrose & Malvo
The piano reminds me of an old drum ‘n’ bass tune, but it’s the swirling maelstrom of a bassline that really makes this. Beenie on resisting what he sees as the decadence of the western world. Delly Ranks is demanding that the laydeez put on more of a performance for him, but Ghost is having none of it. And General B? Answers on a postcard.
Bagpipe / Steelie & Clevie / Steelie & Clevie
Bagpipe caused a bit of a stir when Droid included it in a previous mix. Kode9 went mental for it and I think you can hear why. Steelie and Clevie were the dons of this era – you may also remember their superb Nine Night riddim off the Boom Boom Bashment mix that me and Paul did. It’s incredible how they make such a perfect structure out of all those mad sounds. This is another brilliant example of how diverse a riddim can be – the opener is practically ambient, and then Zebra and Squidley ramp it up. Nice bit of dancefloor destruction on the remix also.
Medina / 2 Hard / Jeremy Harding
1998 kicked off the careers of Jeremy Harding and Sean Paul – big style. Harding became a producer almost by accident, progressing from DJ work to doing radio ads and jingles before being persuaded that his studio could also be used for voicing dubplates. He cites hip hop as a major influence but also groups like Nitzer Ebb and Ministry.
Sean Paul, Red Rat and Monster Shack Crew were banded together as “uptown raggas” as they all came from relatively well-to-do families rather than the ghetto. This was nothing new, though, Augustus Pablo also came from a well off background before giving it all up for rastafari.
Aphasic of Junk and Ambush Records used to kick off his DJ sets with “Wanna Make Noise” and quite right too. Medina is the shyer brother to the Playground riddim but there is something about it which allows the vocalists to stretch out a bit more. Great performances all round, but a stunner from Tanya – and worth keeping hold of now she has taken a more ballady (but still excellent) path.
Filthy/Filthier / Main Street / Danny Brownie & D. Juvenile
Yeah, so some of you might remember this one… sweep back to Vegas doing a link on the Mobos with a fawning Dani Behr. Apparently “Heads High” is a song for a young cousin, telling her not to feel pressured into sex too early. The message of female empowerment is only slightly marred by the (unrelated!) follow up “She’s a Whore”.
Fade Away / Opera House / Andrew Bradford
Buccaneer is singly responsible for introducing opera stylings to dancehall. Here, on an Enya tip. Where else do you get that, eh?
Now Thing / Redrose / How Yu Fi Sey Dat?
As used and endorsed by The Bug at BASH. This was also the title of the MoWax LP of bashment instrumentals they put out, not wanting to scare off the hipsters and techno fans with the vocals, methinks. Which is a great shame because the vocals are excellent – an ace smokers’ anthem from Tony Curtis and Future Troubles, Lady Saw telling the men to get their act together in the bedroom and Sean Paul tearing down the place once again.
Playground / Jeremy Harding / 2 Hard
All about the bass again, but there are some wicked vocals on this also, for example Dutty Cup Crew’s “This is a stick up give me everything you got, we haffi report fi check out all the gals dem sexy and phat” I’ve had a raw mix of this section for ages and I cannot play it without beaming away to myself and anyone in the vicinity.
Earthquake / Big Yard / Robert Livingston & Sting Pizzonia
Proper rave-mentalism. I could quite happily play these back to back to back, mashing up the version. But I doubt you’d want to hear an hour of that so I have relented here. Big Yard is Shaggy’s label and I think this (and what follows) prove that he knows the score. I always have to gnash my teeth when someone slags off Shaggy or Sean Paul, as if that was de rigeur because they’ve been in the charts a few times. Well it’s not, OK?
Sexy Gal / Big Yard / Sting International
Ridiculously over the top finish.
(if your copy of the mix is only 45 minutes long, then please download it again to get the full hour long version – it seems like there may have been some glitches with the server… thanks to Droid for is tireless perfectionism in hosting the entire series and resolving my retarded approach to technology in this instance)

riddim / original label / producer
Broke Bottle / Q45 / Desmond & Rupert Blake
1. Egg Nog β Getaway Driver
2. Beenie Man β Always Be My Baby
3. Harry Toddler β Get Gal Easy
4. Version
Baddis Ting / Hi-Profile / Richard Browne
5. General Degree β Miss Gotti
6. Chico β Grudgeful
7. Mr Vegas β Jacket
8. Version
Black Widow / Shines / Shane Richards
9. Buccaneer β Sha La La La
10. Daddy Screw – Baby Bounti
11. Cobra β No One Style
12. Beenie Man β Gwaan So
13. Goofy β Anything Can Happen
Powerplay / How Yu Fi Sey Dat? / Redrose & Malvo
14. Beenie Man β Nah Bow
15. Delly Ranks β No Talent
16. Ghost β What Have You Done
17. General B β Ziggy Ziggy
18. Version
Bagpipe / Steelie & Clevie / Steelie & Clevie
19. Nitty Kutchie – Happy Go Lucky Girl
20. Zebra β You See Me
21. Squidley Ranks – Tek It Off
22. Beenie Man β Year 4 (Sticky Remix)
Medina / 2 Hard / Jeremy Harding
23. Monster Shack Crew β Wanna Make Noise
24. Tanya Stephens β Bounce Me
25. Red Rat β Yu Nice
26. Sean Paul β Strategy
Filthy/Filthier / Main Street / Danny Brownie & D. Juvenile
27. Beenie Man β Let Him Go
28. General Degree β Traffic Blocking
29. Mr Vegas β Heads High
Fade Away / Opera House / Andrew Bradford
30. Buccanner β Fade Away
Now Thing / How Yu Fi Sey Dat? / Redrose
31. Mad Cobra β Nuh Watch De Pum
32. Lady Saw β Sloppy In A Bed
33. Redrose β Red Red Red
34. Sean Paul β Report To We
35. Tony Curtis & Future Troubles β Canβt Smoke The Weed In Peace
36. Version
Playground / 2 Hard / Jeremy Harding
37. General B – Scream
38. Mad Cobra β Pet and Pamper
39. Dutty Cup Crew β Stick Up
40. Beenie Man β Who Am I
41. Sean Paul β Infiltrate
Earthquake / Big Yard / Robert Livingston & Sting Pizzonia
42. Merciless β Sharp Shooter
43. Rayvon β All Day All Night
44. Version
Sexy Gal / Big Yard / Sting International
45. Merciless β One of Them

How to get it
http://www.weareie.com/audio/blogariddims/Blogariddims.xml
is the link. Here is an idiotβs guide of what to do with it
You can also download the mp3 direct from http://feeds.feedburner.com/blogariddims/ or via itunes music store.
You really should subscribe – just take a look at the rest of the mixes at that feedburner link. You want them downloaded directly to your player every fortnight, yeah? Exactly.
Suckers To The Side, I Know You Rate My 98!
Following on from Naptha’s thunderous 1993 selection, I am contributing a hot 1998 bashment mix to the blogariddims series.
Nine years ago I was going out every weekend and a lot of this stuff gradually seeped into my consciousness over time. A band called Chin had a residency at Disgraceland on Essex Road in Islington – they were outstandingly good, a true combination of hip hop and a little bit of punk. After their set, Danny (their DJ) would play a load of brilliant records including some Aphrodite jump up and this tune that went round and round in my head… something about “zim zimma”…
Buying some Scientist and Lee Perry records in the Rough Trade shop, I heard this crisp bassy tune coming out of the speakers and was entranced by its quirky percussion and vocals. I asked the bloke behind the counter what it was and he held up a copy of the latest Ragga Ragga Ragga compilation LP. Another addition to my Lee Perry collection could wait until next payday…
The climax of these encounters was a house party off Green Lanes in Haringey. I’d been told to bring some records along but it became clear that the usual highly competitive young dj politics were in play and there was no chance of me getting a go on the decks. Two italian crusties had decided that as there was two of them they could play their godawful acid trance for a 2 hour set. But there was this one guy…
He had the biggest box of seven inch white labels you have ever seen, many of them tied together with elastic bands. He didn’t do anything fancy with them, just whacked them on the turntable and whizzed over the crossfader. Tune after tune came out of the speakers – bass, vocals, eccentric percussion. Someone asked him what the a particular track was and I was able to lip read him saying “I dunno – look, they’re all white labels!”.
Maybe it’s me, but 98 seems like a much more innocent time in retrospect. Certainly none of the tunes I’ve heard feature people trying to outdo each other in murderous homophobia. It was also a year when what was happening in JA was exactly what was needed to fill an aching gap in the UK pop charts. (This happened most recently a few years back with the slew of Sean Paul and Diwali tunes).
So here is my tribute to that year. I’d love to be all cool and say that I bought all these on the day they came out, but the truth of the matter is my buying patterns have been somewhat erratic. Quite of bit of “back filling” has been required to get this tracklist together, which has involved me at my most nerdy. After taking the piss out of trainspotters with their spreadsheets and matrix numbers, I found myself getting deep into excel after realising that greensleeves alone released over a hundred seven inches in 98, most with exactly the same stock labels.
The 2nd hand tunes cost me anything between 20p and 4 pounds, but there were very very few absolute stinkers. Indeed, my hardest job was cutting the mix down to an hour – so there may be a part two at some point, possibly extending into 1999. But that is another story…
Greensleeves phased out their seven inches a few years later in favour of the now ubiquitous “Rhythm Albums” featuring 20 cuts of the same riddim. I can’t help feeling that people now pay less attention to the actual vocals. Some of the riddims on this mix came out in just 3 cuts, i.e. the ones that they got right! There also seems less scope now for big labels like Greensleeves and VP releasing “one away” tunes like “Fade Away” and giving them a big push. At the time of writing it looks like JA vinyl production is slowing down as selectors switch to digital formats. So perhaps the time is ripe for Greensleeves et al to fill the gap by releasing sevens again? I doubt I could make a good business case for it myself, but one can hope!
more commentary to follow – you don’t think you get off that lightly, eh?
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I’ve become a new convert to grime this year. More on that in due course but in the meantime do yourself a favour and go out and buy “Rules and Regulations” by Roll Deep and “Guns and Roses vol 2” by Ruff Sqwad, ok?
Both of these crews were playing at Dirty Canvas on Friday so I persuaded Martin to venture down. As things turned out, our time in the pub across the road proved to be just a memorable as the gig.
Dirty Canvas has cleverly navigated the metropolitan police’s ban on grime gigs by coming from an overly cultural angle – holding events in the Whitechapel gallery and the ICA. This was in a proper venue, though, the Rhythm Factory in Whitechapel, which I’d last been in to warm up the place for the UK-Dance 10th anniversary party with Paul Meme.
It was good, great in fact, to hear some of the tunes which have been the soundtrack to 2007 so far mashed up by DJs Magic and Plastician. Nice mixed crowd, hoxtonistas and hoodies rubbing along alright. Big fucking queues…
Unfortunately I had to leave at about 1:00am cos of some commitments next the next morning so I missed both Ruff Sqwad and Roll Deep… gutted is not the word, but I will be back.
“I’ve got friends all over the world… none in this country, but all over the world!”
Tony Hancock – The Radio Ham
I’ve still got mixed feelings about this, but:
http://www.myspace.com/johneden
I am currently adopting a grumpy old man policy of only adding people I have heard of before, so drop me a message if you have a wacky pseudonym.