I don’t normally crosspost threads from forums here, cos it isn’t in the spirit of net communities, really.
However, this is a massive treat from the Blood & Fire board which fair boggles the mind.
I don’t normally crosspost threads from forums here, cos it isn’t in the spirit of net communities, really.
However, this is a massive treat from the Blood & Fire board which fair boggles the mind.

“‘We have terrible problems with servants here. Stealing and so on. Let me know when you’re ready to get one and I’ll put out the word. Otherwise you’ll just get someone one of the other expats has sacked.’
‘I don’t know if I’ll really want one,’ I said, finishing my molten mouthful. ‘I think I’d rather look after myself.’
Merrit snorted […] ‘Everyone thinks that when they first arrive,’ he said. ‘You’ll change your mind soon enough, when you have to wash your clothes by hand.’
‘And in a way,’ she added, sniffily, ‘you’re doing them a favour. They’re very keen for the money, you know. They earn a lot more from us than they would on the plantations or going down to the tobacco estates in Rhodesia.'”
The Last King of Scotland by Giles Foden (Faber & Faber, London, 1998)
The only thing which is black and white in Uganda is the Zebras… and your skin colour. Everywhere you go outside Kampala, people shout “Muzungu!” which means “white man”. It’s not meant as good or bad, but just as a description of something out of the ordinary. One day we drove for 10 hours without seeing another white person. (Or person-with-whiteness if we want to get all retro-PC). No matter how “swarthy” you are, your whiteness marks you out as one of the privileged.
There seem to be about 4 reasons for white people to go to Uganda – religious duty, tourism, charity work, or capitalism.
After meeting some missionaries on the plane everyone else we met was pretty scathing about them for all the obvious reasons. There are some exceptions where missionary work crosses over into pastoral care, though – there are some amazing nuns who double up as surgeons and stuff. More about nuns later, but it’s an indication of the fucked-upness of the country that I will even countenance saying nice things about missionaries.
On the other hand there is nothing worse than walking through rural Uganda and seeing everyone trying to scrape a living together, living in huts, and then bumping into a massive gleaming church in the middle of it all.
The capitalists and the charity workers seem to have formed an uneasy expat alliance. Essentially they come from similar backgrounds and so get on great, but have constructed completely barking mad polarised arguments against each other’s positions. Before we get to that I should point out that I only found out how similar expat’s backgrounds are when I cracked a joke about ex-public schoolboys one evening. It fell pretty flat – which is hardly surprising given that it turned out I was the only male in the room who hadn’t been to public school. Ooops.
So, anyway, the NGO and charity workers feel like they have spurned big bucks in their homeland in favour of doing their bit to make the world a better place. And this is undeniably the case – we stayed with a lot of people who were doing work with some of the many ugandans suffering with HIV or AIDS. Taking a trip down to a ugandan AIDS clinic is maybe not on everyone’s list of things to do in Africa but it was certainly an eye opener.

Not much self-pitying going on as far as I could see, in fact we turned up while the patients’ drama group was practicing for a forthcoming tournament. Hearing them singing a nice gospel song touched the anti-missionary nerve in me again, until I realised that the lyrics were entirely secular and about preventing the spread of AIDS. Which is when all your cynicism is swept away and you get a bit choked up, really.
The NGO workers generally feel a bit awkward about hiring people to do their washing, cleaning, cooking, shopping and guarding their gates. Clearly by UK standards this is the mark of someone who is beyond the pale (well it is for people I know!). But again it’s not so clear cut in Uganda. Do you want to be the only white person in the street who doesn’t have a sleepy bloke with a rifle at your gate?

Similarly it’s a pittance to get someone local to manage your house, and virtually everyone I met seemed to be paying the going rate PLUS also paying at least one of the staff’s kids through school, which hopefully means they won’t have to clean white people’s toilets for a living when they grow up. The actual practicality of the situation overrides people’s comfy liberal morality.
The capitalists (and that is actually how some people described themselves to me) I guess have less qualms. Indeed I suppose some of the attraction of the lifestyle out there is that people will do all of your chores for you – and your money will go a lot further. Most Muzungus are on euro wages and pay not tax, so are doing pretty fine financially, even though there ain’t much to spend it on.
The entrepreneurial types we met had a fairly cogent criticism of the NGOs and their lack of joined up thinking – one example was money being poured into making a hospital but no provision being made for staff or ongoing costs, so it just stands to this day as an empty husk. Similarly the strings attached to aid are getting fucking ridiculous. For example it is well known that the US will now primarily fund AIDs work which promotes abstinence rather than condom use. Similar strings are attached to the general political climate – i.e. some european countries will only give aid while Uganda remains a democracy (which is wishful thinking – again, more of that in another post) – fortunately (or perhaps not) China is increasingly interested in the country and is less bothered by that…
The self-styled capitalists (and I should make it clear that some of them were really nice people, others less so) also made a number of points about the grants being given to businesses willy-nilly messing with the economy – which I had less sympathy with. Occasionally you would hear some stuff about how all the NGOs and charities should get out of Uganda and let the market take its natural course so that people who get out of dependency and become self-reliant. Which all sounds great in theory but would probably result in even more death in practice – and of course would, coincidentally, open up the field for good honest white ex-public school boy entrepreneurs to run their businesses in peace. I was reading Frances Wheen’s How Mumbo Jumbo Conquered The World during my trip, which includes a scathing and rigorous attack on the whole economic “trickle down” idea that seemed implicit in a lot of what was being said…
In some ways the ex-pat community is so small and incestuous that a bit of turbulence and disagreement is necessary and entertaining, but it did make me feel a bit wishy washy for feeling that both aid and investment is needed. Ah, along with the people of Uganda themselves – as agents of their own destiny, but more about them later.

THANK YOU….
First of all thank you to all local residents who have been so supportive of this action!
Special thanks to the many who have donated time food, heaters and other useful things.
SUPPORT
It seems that the majority of local people support what we’ve done. Many have commented on how angry they are that after 30 years Tony was forced out of Broadway Market and that Tony represents part of Broadway Market that is being pushed out as the area is gentrified.
DEMOLITION STOPPED – WHAT NEXT?
Our first goal has been achieved! A group of local people have taken legal possession and secured the premises and on Monday 28th of November we prevented the scheduled demolition of Tony’s Café.
We have cleaned up the mess left after Tony’s eviction and made the place warm and welcoming for anyone who wants to drop in. Many people have already come for a cup of tea and t find out more about what’s been going on.
Also we have heard that Hackney Council have reviewed the original planning application for the site and come to the conclusion that it should not have been issued in the manner that it was. Our legal advisors are saying that the approval of the application was not a formal decision and we are now at the stage where the planning application can go to judicial review.
SECURITY
Our occupation of the premises is entirely legal. However we have to keep it secure. Friendly locals are invited to drop in but we have to be careful not to let representatives of the developer come through the door and attempt to repossess the cafe and start demolition. Please beware that although the building is occupied 24 hours a day, the front door is always locked. This is a necessity because of the legal position we are in.
Check Farmer Glitch for the whole thing. Great stuff, tho we can of course do without the witterings of TAZ and its dodgy author.

As of Sunday evening the premises of Franscesca’s Café on Broadway Market have been occupied in protest against ongoing corruption allegations and aggressive gentrification in Hackney.
The café was due to be demolished at 8.00am, Monday November 28 to make way for luxury flats.
This is part of Hackney council’s sell-off of commercial properties. The estate agents appointed by the council have sold £225 million worth of properties for just £70 million, with the majority of these going to wealthy off-shore cartels who have made an absolute killing at the expense of the people of Hackney.
Tony Platia, a well-liked and popular figure in the community, has run Franscesca’s Café for the past 31 years.
Tony had first refusal on the property and repeatedly tried to buy it from Hackney council but was passed over in favour of a wealthy developer, Dr. Roger Wratten.
On three previous occasions local people rallied in support and prevented his eviction by bailiffs but in July this year, 10 bailiffs and 50 police turned up to throw him out.
Dr. Wratten is typical of the greedy developers that Hackney council chose to do business with. As the owner of a multi-million pound property portfolio his only interest in the area is financial gain – at the expense of the local community.
We call on both local residents and sympathisers to show their support by turning up at Broadway Market as soon as possible. Please copy this appeal and pass it on.

“Much of Africa would […] be crossed off my list of of possible pleasure trips with small children.”
Your Child Abroad: A Travel Health Guide by Dr Jane Wilson-Howarth and Dr Matthew Ellis (Bradt Travel Guides, Chalfont St Peter, 2005)
My better half reckons the reason I was taken to one side at Heathrow was because I look “swarthy”. Even after being subjected to a full body x-ray and having my fucking boots x-rayed as well for good measure, I ended up ahead of her and our offspring in the queue to get into the departure lounge.
The bus to the plane was full of yanks and ugandans. The ugandans were quiet, the yanks were loud. Some guy next to me was actually wearing a stetson and trying to talk to a girl about Texas on the flimsiest pretext. When this got him nowhere he burst out into a hymn. Quite clearly, there is no better way to begin a 9 hour flight. With missionaries. One of his fellows was seated across the aisle from us and had a laugh exactly like Boss Hogg from the Dukes of Hazard.
If you get off the plane at Entebbe Airport and look up you can see an office. Well, you would be able to see it, were it not for the fact that the entire window, from floor to ceiling, is completely taken up by yellowing, overflowing, lever arch files.
The quiet ugandans, the boisterous missionaries, and that room are as good a summary of what is going on in Uganda as any…
http://www.alexfergusson.com – for the lowdown on TV’s Alternative and Psychic, and beyond.
Matt on Jah Warrior sevens.
More musings on anarchopunk and 80s counter culture over at Green Galloway, especially the entry entitled: The forgetting of history- a Crass conversation
A nice retrospective on the Psychick Warriors ov Gaia.
Wicked ultra-left spotterism.
Pete Murdertone is quietly getting on with producing some excellent dancehall and ragga riddims over at Versionist, including some contributions from Mikey Murka ex- of Unity Sounds.

Mad Professor – Method to the Madness (Trojan double CD, 2005)
“Two Decades of Crazy Dubs: A Trip Hop, Techno, Dubwize Vibe”
Mad Prof is well overdue for a decent retrospective and this one goes some way to covering the vast amount of his output since setting up in 1979. Much of the material here is culled from early Ariwa 12″ which now go for a bomb on ebay. Indeed, my main reason for buying it was to get hold of a copy of Aisha’s “The Creator” – a spell-bindingly great female roots vocal which was the origin of the “ah wah ooh wah ooh wah” sample in The Orb’s “Blue Room” track.
In fact it is the female vocals on here which are the real surprise – top notch stuff which is all to easily overlooked in the scramble for better known bloke-tracks. Sandra Cross’ “Country Living” includes some wonderful soaring double-tracked vocals about getting away from London. Ranking Ann’s “Feminine Gender” ponders the merits of being thought of as a feminist and fits right in with the UK fast deejay stuff on Lyric Maker. Queen Omega’s “Wicked Man” is a powerful roots denouncement. And Kofi is still in love with a dreadlocks after all these years, with Macka B cheering her on…
Instrumentals and dub cuts are well represented. Kunte Kinte is well known to junglists and dub heads alike. The version here will satisfy you thoroughly unless you are a proud owner of the original dubplate. It gets licked over later on by none other than Horace Andy. One a more up to date tip, 50pence dub is culled from the Crazy Caribs album and takes 50cent to the beach with some steel pan sounds.
Other JA artists include Johnny Clarke (whose “Nuclear Weapon” is also hugely sought after – and rightly so), Earl 16 and U Roy.
The 2nd disc includes a number of Mad Professsor’s remixes and is, I have to say, a mixed bag (ho ho). For example I was suprisingly disappointed by his version of The Orb’s “Towers of Dub”. Similarly, remixes of Brilliant and Jamiroquai didn’t do that much for me but perhaps the constraints of the original combined with dealing with major record labels meant that nobody was able to do their best.
Having said that, the mixes for Perry Farrell, Young Gods and Massive Attack are all amazing and bear repeated listens to get the best out of them.
Farrell’s “King Z” features the piano of Lonnie Jordan in the foreground and is a really elegant, gentle piece. The dub version of Young Gods’ “Kissing The Sun” has a wonderful hallucinongenic, waking dream quality to it. And Mad Prof makes Massive Attack become themselves to an even greater degree, if that makes sense.
Finally, people always seem to be slagging off Mad Professor’s collaborations with Lee Perry, but “Mad Man Dubwise” on the 2nd disc is a great melodica-driven excursion so some reappraisal is clearly required on that count.
This compilation manages to do what it says on the tin – all bases are adequately covered and short of someone coming up with several seperate 2 disc sets for dub, lovers, remixes, roots etc of Mad Professor material this is your best introduction. Get it and then seek further…

Various Artists – Night of the Living Dread (Sonarcotik / Marseille City Pressure CD, 2005)
“15 tracks of mutant dubs & digital lo-fi from Marseille City Pressure”
Never heard of this outfit before and was pleasantly surprised to be sent a review copy. This is a various artists compilation which includes some real treats. The cover imagery and some of the tunes are full of zombie/horror imagery which possibly originates with the more “dread” end of jungle. I would guess that a reference point would be the Crooklyn Dub Consortium compilations on Wordsound, but this is very much its own beast.
The actual sounds move between reggae, uk dub, and more downtempo stylings. There is a darkness here which is almost as if dub’s sorcery has invoked some serious duppy business rather than opening up the “elect of god and the light of the world”. An all too common escape route for those not wanting to be accused of fake rasterism, but when it works, it’s fine by me.
“Meditation Urbaine” by Izmo (featuring Richie) – has some nice traditional percussion and is almost like a classic UK Dub cut from the mid-90s. There’s some excellent twiddly touches and a bit of flute which raise this way above the level of the ordinary. Nice!
“Dubblegum” by Yobz kicks off with a long intro of synth washes includes before bringing in a rasta sample about da ‘erb. The beats are nice and minimal, sort of a laidback trip hoppy stuff but still sounding fresh.
“Murder Mile” by Troma may or may not be a tribute to Clapton, written by a cultish director of schlock monster movies. It includes a great sound effect which reminds me of all the telephones going off at the same time on Dreams Less Sweet, only more discordant. Very effective when combined with the abstract beats and alien insectoid scampering noises.
“Me & The Devil” by Onkle Akai (these boys are obsessed with their toys!) is nice “downtempo” (as in the genre) filmic businsess, heavy on the dialogue samples from some horror movie. It reminded me to dig out Marc Dauncey’s wicked Darkest Before Dawn mix.
“Decoction” by Rzo is about as dark as it gets – full of evil buzzing atmospherics.
In short, a great start. My only criticism is that some of the other tracks are a bit too “tracky”, with unvaried looping stuff losing my interest after a few bars.
Check the mainly not working http://sonarcotik.free.fr/ for more info. Or see this page on Versionist for some mp3s.

Dub Syndicate – Research & Development (On-U Sound CD, 1996)
“A Selection of Dub Syndicate Remixes
A retrospective of Dub Syndicate tracks – remixed by various UK Dub producers. An absolutely excellent idea and one that has completely paid off. This album completely passed me by when it came out 9 years ago and I couldn’t quite believe it existed when I saw it in the Rough Guide to Reggae.
“Dubadisababa (Soundclash remix)” kicks off with Big Ben chiming and has some nice gentle griding sounds running through it with tablas from Goldfinger of (Detri/Funda)mental. A great looooong groove for openers.
I’ve had Iration Steppas take on “2001 Love” and Ruts DC’s “Ezy Take it Ezy” on 12″ for ages and they are bonafide classics. The former got some serious outings during DJ sets for the Association of Autonomous Astronauts and the latter was on my Shake the Foundations volume 1 mix. Ruff!
DJ Scruff I assume is now Mr Scruff. His take on “Mafia” is one of the best things on here (and that is saying something because there isn’t a bad tune) and is approximately 650 million times better than the absolute shite which constitutes his Trouser Jazz album. Bim Sherman’s vocals and a great melancholic refrain make this a hugely satisfying.
“Bedward” is probably one of the most well known Dub Syndicate tunes because of its inclusion on the classic Pay It All Back sampler LP. Zion Train do a good job beefing the track up and adding a few dubby touches, but are ultimately perhaps a bit too respectful.
The Disciples were on fire around 1996 with releases on their own Boomshakalacka label and Russ D goes to town with “Jungle”, adding some bonkers tweaky acid business.
Dougie Wardrop aka Conscious Sounds aka Centry can always be relied on to come up with the goods and his take on “2003 Struggle” is all minor key synths, steppers and horns – exactly the way some of us like it.
“Ravi Shankar” was tailor-made for a re-rub by Rootsman and he doesn’t disappoint. An absolutely solid foundation leaves room for all sorts of stuff going on at the top end to wig your head out. This is huge.
This LP captures a moment when the UK Dub scene was producing a load of really exciting records that managed to combine reggae and electronics in a distinct, dark edgy way. Much of this has subsequently solidified into a series of cliches, but most of these producers have avoided this by either moving into live instrumentation or just being one step ahead of the competition in terms of imagination. Needless to say this style still does the business for me, especially at high volumes.
All in all, an outstanding project which should be repeated for more recent On-U material.